爱它:第四个球

Paul Hensler
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In Kramer's telling, that year's edition of the Packers was fueled by a winning tradition that resulted from the team's ineffable laboring under his coach's stern gaze. \"Nobody knows the tortures you go through, trying to stay on top as champions,\" Lombardi told his charges after a practice in late November.1 And the way in which Green Bay asserted themselves over pro football was mirrored to an even greater degree by the achievements of the New York Yankees, notably from 1947 to 1964, when the Bronx Bombers won the American League pennant every year, save for three seasons. Barely two years after Kramer's opus was published, another book was released that could not have been more diametrically opposed to the chronicling of what turned out to be the last phase of the Lombardi–Packer heyday. This new release, Ball Four, authored by former Yankee pitcher Jim Bouton, found its way into the canon of sports literature, where it remains to this day as deeply rooted as most any other book dealing with any athletic endeavor. In the early 1960s, Bouton was among a crop of newcomers to the Yankee roster—Tom Tresh, Joe Pepitone, and Mel Stottlemyre, along with the \"Bulldog,\" [End Page 1] evinced all-star potential—expected to ward off challengers to the club's accustomed place atop the American League. But a not-so-funny thing happened on the way to perpetuating the ostensibly unending dynasty domiciled at Yankee Stadium, and when this new breed and other prospects failed to provide a smooth transition from aging stars such as Mickey Mantle, Elston Howard, Yogi Berra, and Whitey Ford to fresher talent, while also maintaining the club's accustomed winning tradition, the club's tumble from their pedestal was uglier than most Yankee fans could have imagined. Having a ringside seat to this misfortune, Bouton was hardly an innocent bystander. The promising rookie of 1962 won half of his fourteen decisions and followed this performance with twenty-one victories the next year; he registered eighteen more in 1964 and added a pair in the World Series to seemingly drive a stake in the pitching mound, marking his place in the Yankee rotation. But when he won only nine games over the next four seasons, the evidence was clear: Bouton had damaged his arm beyond repair during that final year of the Yankee dynasty. As the Bombers morphed into the Blunders, falling into the AL basement in 1966, the pitcher hoped in successive Februarys that he would find his old self in spring training and set his fastball ablaze once more. 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This send-off, as it were, was climaxed by the team's victory in Super Bowl II, and the diary Kramer maintained details the grueling regimen of life under Lombardi's rule during the 1967 season. Readers of his book gain a full appreciation of how championships were forged in a small city that took on the quaint appellation of \\\"Titletown\\\" due to the team's dominant success in that decade. In Kramer's telling, that year's edition of the Packers was fueled by a winning tradition that resulted from the team's ineffable laboring under his coach's stern gaze. \\\"Nobody knows the tortures you go through, trying to stay on top as champions,\\\" Lombardi told his charges after a practice in late November.1 And the way in which Green Bay asserted themselves over pro football was mirrored to an even greater degree by the achievements of the New York Yankees, notably from 1947 to 1964, when the Bronx Bombers won the American League pennant every year, save for three seasons. 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引用次数: 0

摘要

1968年出版的杰里·克莱默的《即时回复》打开了体育史上最具传奇色彩的球队之一的更衣室的大门,他所画的肖像让球迷们看到了文斯·隆巴迪教练在绿湾包装工队执教的最后一年。这次的欢送,可以说是球队在第二届超级碗的胜利中达到了高潮,克雷默的日记详细记录了1967赛季隆巴迪统治下的艰苦生活。他的书的读者可以充分体会到冠军是如何在一个小城市里形成的,由于球队在那个十年里取得了压倒性的成功,这个小城市被称为“头衔镇”。在克雷默的讲述中,那年的包装工队是由一种获胜的传统推动的,这种传统源于球队在他的教练严厉的目光下难以形容的劳动。隆巴迪在11月下旬的一次训练后对他的队员们说:“没有人知道你经历了多少折磨,试图保持冠军的地位。”绿湾队在职业橄榄球比赛中坚持自己的方式在更大程度上反映在纽约洋基队的成就上,尤其是从1947年到1964年,布朗克斯轰炸机队每年都赢得美国联盟的锦旗,除了三个赛季。克雷默的作品出版仅仅两年后,另一本书出版了,这本书与伦巴第-帕克全盛时期最后阶段的编年史截然相反。新出版的《第四球》由前扬基队投手吉姆·波顿(Jim Bouton)撰写,它进入了体育文学的经典,直到今天,它仍然像大多数其他涉及任何体育运动的书籍一样根深蒂固。在20世纪60年代早期,溥顿是洋基队花名册上的一群新成员之一——汤姆·特雷什、乔·佩皮托内和梅尔·斯托特迈尔,以及“牛头犬”,证明了全明星的潜力——被期望抵御俱乐部在美国联盟中习以为常的霸主地位的挑战者。但是,在扬基球场延续这个表面上永无止尽的王朝的过程中,发生了一件不那么有趣的事情,当这些新人和其他有前途的人未能从米基·曼特尔、埃尔斯顿·霍华德、约吉·贝拉和怀特·福特等老明星到新人的顺利过渡,同时保持俱乐部习惯的获胜传统时,俱乐部从他们的基座上跌落下来,比大多数扬基球迷想象的要丑陋得多。鲍顿是这场不幸的旁观者,他几乎不是一个无辜的旁观者。1962年,这位前途无量的新秀赢得了他14次决定中的一半,并在接下来的一年里取得了21次胜利;1964年,他又投出了18个安打,并在世界大赛中投出了两个安打,这似乎是他在洋基先发轮值中的位置。但当他在接下来的四个赛季中只赢了九场比赛时,证据很明显:在洋基王朝的最后一年,鲍顿的手臂受伤无法修复。1966年,当轰炸机队变成了笨手笨脚队,陷入美联的地下室时,这位投手希望在连续的二月里,他能在春训中找到原来的自己,再次点燃他的快速球。然而,现实是,他已经接近终点——如果不是,事实上,已经到了终点——并且已经获得了“对体育与世界融合的看法,这是坐在他坐过的位置上的其他人所没有的”,溥顿开始听从他母亲在他第一次被征召到洋基队之前不久提出的建议——也就是写他作为一名棒球运动员的经历从1968年底开始,鲍顿收集笔记,用磁带记录他的观察,把这些早期的信息转发给体育记者伦纳德·谢克特。谢克特是一个垮掉的作家,因为他愿意指责洋基队的组织,现在已经衰落了,他成了洋基队管理层眼中的弃儿。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Loved It: Ball Four
Loved It:Ball Four Paul Hensler (bio) The 1968 publication of Jerry Kramer's Instant Reply opened the door to the locker room of one of most storied teams in sports history, and the portrait he painted furnished fans with a view to what became the concluding year of coach Vince Lombardi's tenure at the helm of the Green Bay Packers. This send-off, as it were, was climaxed by the team's victory in Super Bowl II, and the diary Kramer maintained details the grueling regimen of life under Lombardi's rule during the 1967 season. Readers of his book gain a full appreciation of how championships were forged in a small city that took on the quaint appellation of "Titletown" due to the team's dominant success in that decade. In Kramer's telling, that year's edition of the Packers was fueled by a winning tradition that resulted from the team's ineffable laboring under his coach's stern gaze. "Nobody knows the tortures you go through, trying to stay on top as champions," Lombardi told his charges after a practice in late November.1 And the way in which Green Bay asserted themselves over pro football was mirrored to an even greater degree by the achievements of the New York Yankees, notably from 1947 to 1964, when the Bronx Bombers won the American League pennant every year, save for three seasons. Barely two years after Kramer's opus was published, another book was released that could not have been more diametrically opposed to the chronicling of what turned out to be the last phase of the Lombardi–Packer heyday. This new release, Ball Four, authored by former Yankee pitcher Jim Bouton, found its way into the canon of sports literature, where it remains to this day as deeply rooted as most any other book dealing with any athletic endeavor. In the early 1960s, Bouton was among a crop of newcomers to the Yankee roster—Tom Tresh, Joe Pepitone, and Mel Stottlemyre, along with the "Bulldog," [End Page 1] evinced all-star potential—expected to ward off challengers to the club's accustomed place atop the American League. But a not-so-funny thing happened on the way to perpetuating the ostensibly unending dynasty domiciled at Yankee Stadium, and when this new breed and other prospects failed to provide a smooth transition from aging stars such as Mickey Mantle, Elston Howard, Yogi Berra, and Whitey Ford to fresher talent, while also maintaining the club's accustomed winning tradition, the club's tumble from their pedestal was uglier than most Yankee fans could have imagined. Having a ringside seat to this misfortune, Bouton was hardly an innocent bystander. The promising rookie of 1962 won half of his fourteen decisions and followed this performance with twenty-one victories the next year; he registered eighteen more in 1964 and added a pair in the World Series to seemingly drive a stake in the pitching mound, marking his place in the Yankee rotation. But when he won only nine games over the next four seasons, the evidence was clear: Bouton had damaged his arm beyond repair during that final year of the Yankee dynasty. As the Bombers morphed into the Blunders, falling into the AL basement in 1966, the pitcher hoped in successive Februarys that he would find his old self in spring training and set his fastball ablaze once more. The reality, however, had it that he was near the end of the line—if not, in fact, already there—and having gained "a perspective on the confluence of sports and the world that nobody else who sat where he had sat," Bouton set about to heed a suggestion advanced by his mother shortly before he was first called up to the Yankees—namely to write about his experience as a ballplayer.2 Beginning in late 1968, gathering notes and using a tape deck to record his observations, Bouton forwarded this trove of inchoate information to sportswriter Leonard Shecter, a beat writer who became a pariah in the eyes of Yankee management for his willingness to stick his finger in the eye of the organization, now in decline, by...
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