{"title":"Ritm","authors":"Raluca Blaga","doi":"10.46522/ct.2023.01.07","DOIUrl":null,"url":null,"abstract":"This present study focuses on “The Company Thanks” (“Die Firma Dankt”), a performance produced by Radu Stanca National Theatre from Sibiu and directed by TheodorCristian Popescu. The premiere took place in 2015, but the performance did not get any critical attention. Therefore, this paper aims to reveal the specific directorial mechanisms used to stage Lutz Hübner’s play.","PeriodicalId":475910,"journal":{"name":"Cercetări teatrale","volume":"66 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Ritm\",\"authors\":\"Raluca Blaga\",\"doi\":\"10.46522/ct.2023.01.07\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This present study focuses on “The Company Thanks” (“Die Firma Dankt”), a performance produced by Radu Stanca National Theatre from Sibiu and directed by TheodorCristian Popescu. The premiere took place in 2015, but the performance did not get any critical attention. Therefore, this paper aims to reveal the specific directorial mechanisms used to stage Lutz Hübner’s play.\",\"PeriodicalId\":475910,\"journal\":{\"name\":\"Cercetări teatrale\",\"volume\":\"66 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Cercetări teatrale\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.46522/ct.2023.01.07\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cercetări teatrale","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.46522/ct.2023.01.07","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
本研究的重点是“公司感谢”(“Die Firma Dankt”)，这是一部由锡比乌的Radu stanka国家剧院制作，由西奥多·克里斯蒂安·波佩斯库执导的演出。该剧于2015年首演，但并未引起评论界的关注。因此，本文旨在揭示卢茨·赫伯纳戏剧上演的具体导演机制。
This present study focuses on “The Company Thanks” (“Die Firma Dankt”), a performance produced by Radu Stanca National Theatre from Sibiu and directed by TheodorCristian Popescu. The premiere took place in 2015, but the performance did not get any critical attention. Therefore, this paper aims to reveal the specific directorial mechanisms used to stage Lutz Hübner’s play.
求助内容：
应助结果提醒方式：
京公网安备 11010802042870号
