黑白之舞:检视黑白芭蕾舞者与嘻哈舞者的刻板印象

Q1 Social Sciences
Sydney Klein, Colin A. Zestcott, Alaina Brenick
{"title":"黑白之舞:检视黑白芭蕾舞者与嘻哈舞者的刻板印象","authors":"Sydney Klein, Colin A. Zestcott, Alaina Brenick","doi":"10.1123/wspaj.2023-0035","DOIUrl":null,"url":null,"abstract":"Throughout the course of ballet dance history, White ballerinas have maintained the spotlight—subsequently leaving limited representation of Black ballerinas. However, other forms of dance, such as hip-hop, may yield greater representation of Black dancers due to hip-hop’s origins during the Harlem Renaissance. The current work examined if perceivers stereotype ballet and hip-hop as dance forms more suited for White or Black dancers, respectively. Two hundred sixty-eight online participants completed explicit and implicit (implicit association test) stereotyping measures examining endorsement of the ballet = White and hip-hop = Black stereotypes. In step with predictions, results showed that individuals were more likely to explicitly and implicitly endorse White women as ballerinas and Black women as hip-hop dancers. In addition, participants with ballet and hip-hop dance experience were less likely to endorse the stereotype that ballet dancers are White and hip-hop dancers are Black. Moreover, less stereotype endorsement also predicted greater likelihood of seeing a ballet or hip-hop performance in the future. These findings suggest that perceivers hold expectations about racial identities of dancers in ballet and hip-hop dance. Future directions regarding the role of race and stereotyping in the world of dance and the performing arts are discussed.","PeriodicalId":36995,"journal":{"name":"Women in Sport and Physical Activity Journal","volume":"31 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Dance in Black and White: Examining the Stereotypes of Black and White Ballerinas and Hip-Hop Dancers\",\"authors\":\"Sydney Klein, Colin A. Zestcott, Alaina Brenick\",\"doi\":\"10.1123/wspaj.2023-0035\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Throughout the course of ballet dance history, White ballerinas have maintained the spotlight—subsequently leaving limited representation of Black ballerinas. However, other forms of dance, such as hip-hop, may yield greater representation of Black dancers due to hip-hop’s origins during the Harlem Renaissance. The current work examined if perceivers stereotype ballet and hip-hop as dance forms more suited for White or Black dancers, respectively. Two hundred sixty-eight online participants completed explicit and implicit (implicit association test) stereotyping measures examining endorsement of the ballet = White and hip-hop = Black stereotypes. In step with predictions, results showed that individuals were more likely to explicitly and implicitly endorse White women as ballerinas and Black women as hip-hop dancers. In addition, participants with ballet and hip-hop dance experience were less likely to endorse the stereotype that ballet dancers are White and hip-hop dancers are Black. Moreover, less stereotype endorsement also predicted greater likelihood of seeing a ballet or hip-hop performance in the future. These findings suggest that perceivers hold expectations about racial identities of dancers in ballet and hip-hop dance. Future directions regarding the role of race and stereotyping in the world of dance and the performing arts are discussed.\",\"PeriodicalId\":36995,\"journal\":{\"name\":\"Women in Sport and Physical Activity Journal\",\"volume\":\"31 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Women in Sport and Physical Activity Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1123/wspaj.2023-0035\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"Social Sciences\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Women in Sport and Physical Activity Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1123/wspaj.2023-0035","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Social Sciences","Score":null,"Total":0}
引用次数: 0

摘要

在芭蕾舞历史的整个过程中,白人芭蕾舞演员一直保持着聚光灯下的地位,随后黑人芭蕾舞演员的代表性有限。然而,其他形式的舞蹈,如嘻哈,可能会产生更多的黑人舞者的代表,因为嘻哈起源于哈莱姆文艺复兴时期。目前的研究考察了感知者是否对芭蕾舞和嘻哈舞有刻板印象,认为它们分别更适合白人或黑人舞者。268名在线参与者完成了外显和内隐(内隐联想测试)刻板印象测试,测试对芭蕾舞=白人和嘻哈=黑人刻板印象的认可。与预测一致的是,结果显示,人们更有可能明确或暗示地支持白人女性担任芭蕾舞演员,而黑人女性担任嘻哈舞者。此外,有芭蕾舞和街舞经验的参与者不太可能认同芭蕾舞演员是白人,街舞演员是黑人的刻板印象。此外,更少的刻板印象代言也预示着未来更有可能看到芭蕾舞或嘻哈表演。这些发现表明,感知者对芭蕾舞和街舞舞者的种族身份抱有期望。未来的方向,关于角色的种族和刻板印象在世界舞蹈和表演艺术进行了讨论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Dance in Black and White: Examining the Stereotypes of Black and White Ballerinas and Hip-Hop Dancers
Throughout the course of ballet dance history, White ballerinas have maintained the spotlight—subsequently leaving limited representation of Black ballerinas. However, other forms of dance, such as hip-hop, may yield greater representation of Black dancers due to hip-hop’s origins during the Harlem Renaissance. The current work examined if perceivers stereotype ballet and hip-hop as dance forms more suited for White or Black dancers, respectively. Two hundred sixty-eight online participants completed explicit and implicit (implicit association test) stereotyping measures examining endorsement of the ballet = White and hip-hop = Black stereotypes. In step with predictions, results showed that individuals were more likely to explicitly and implicitly endorse White women as ballerinas and Black women as hip-hop dancers. In addition, participants with ballet and hip-hop dance experience were less likely to endorse the stereotype that ballet dancers are White and hip-hop dancers are Black. Moreover, less stereotype endorsement also predicted greater likelihood of seeing a ballet or hip-hop performance in the future. These findings suggest that perceivers hold expectations about racial identities of dancers in ballet and hip-hop dance. Future directions regarding the role of race and stereotyping in the world of dance and the performing arts are discussed.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
Women in Sport and Physical Activity Journal
Women in Sport and Physical Activity Journal Social Sciences-Gender Studies
CiteScore
3.50
自引率
0.00%
发文量
18
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信