{"title":"卷数","authors":"Raluca Blaga","doi":"10.46522/ct.2023.01.08","DOIUrl":null,"url":null,"abstract":"This study centers upon Martyr, a Marius von Mayenburg play, staged in 2014 at the National Theatre in Târgu-Mureș by the Romanian theatre director Theodor-Cristian Popescu. Using specific artistic tools, the director manages to transform a closed play into an open work of art. The result can be classified as an efficient performance. Confronting this performance with the local theatrical environment, the result cannot be considered a cultural success.","PeriodicalId":475910,"journal":{"name":"Cercetări teatrale","volume":"22 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Volum\",\"authors\":\"Raluca Blaga\",\"doi\":\"10.46522/ct.2023.01.08\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This study centers upon Martyr, a Marius von Mayenburg play, staged in 2014 at the National Theatre in Târgu-Mureș by the Romanian theatre director Theodor-Cristian Popescu. Using specific artistic tools, the director manages to transform a closed play into an open work of art. The result can be classified as an efficient performance. Confronting this performance with the local theatrical environment, the result cannot be considered a cultural success.\",\"PeriodicalId\":475910,\"journal\":{\"name\":\"Cercetări teatrale\",\"volume\":\"22 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Cercetări teatrale\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.46522/ct.2023.01.08\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cercetări teatrale","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.46522/ct.2023.01.08","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
这项研究以2014年在罗马尼亚剧院导演西奥多-克里斯蒂安·波佩斯库(Theodor-Cristian Popescu)的国家剧院上演的马里乌斯·冯·马耶伯格(Marius von Mayenburg)的戏剧《殉道者》(Martyr)为中心。导演运用特定的艺术工具,将一个封闭的戏剧变成了一个开放的艺术作品。结果可以归类为高效的性能。与当地的戏剧环境相比,这个结果不能被认为是文化上的成功。
This study centers upon Martyr, a Marius von Mayenburg play, staged in 2014 at the National Theatre in Târgu-Mureș by the Romanian theatre director Theodor-Cristian Popescu. Using specific artistic tools, the director manages to transform a closed play into an open work of art. The result can be classified as an efficient performance. Confronting this performance with the local theatrical environment, the result cannot be considered a cultural success.