{"title":"长片中的Mir-1和Mir-2潜水器","authors":"Anatoly M. Sagalevich","doi":"10.4031/mtsj.57.3.7","DOIUrl":null,"url":null,"abstract":"Abstract This article considers the methods of capturing deep ocean images with deep manned submersibles Mir-1 and Mir-2 (6,000-m depth) for feature films. The filming of Titanic by IMAX (Stephen Low) and Lightstorm Entertainment (James Cameron) companies with the use of deep ocean technique was pioneering work. The problems, which were solved during filming, as well as the development of special equipment are discussed.","PeriodicalId":49878,"journal":{"name":"Marine Technology Society Journal","volume":"40 1","pages":"0"},"PeriodicalIF":0.7000,"publicationDate":"2023-09-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The <i>Mir-1</i> and <i>Mir-2</i> Submersibles in Feature Films\",\"authors\":\"Anatoly M. Sagalevich\",\"doi\":\"10.4031/mtsj.57.3.7\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract This article considers the methods of capturing deep ocean images with deep manned submersibles Mir-1 and Mir-2 (6,000-m depth) for feature films. The filming of Titanic by IMAX (Stephen Low) and Lightstorm Entertainment (James Cameron) companies with the use of deep ocean technique was pioneering work. The problems, which were solved during filming, as well as the development of special equipment are discussed.\",\"PeriodicalId\":49878,\"journal\":{\"name\":\"Marine Technology Society Journal\",\"volume\":\"40 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.7000,\"publicationDate\":\"2023-09-27\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Marine Technology Society Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.4031/mtsj.57.3.7\",\"RegionNum\":4,\"RegionCategory\":\"工程技术\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"ENGINEERING, OCEAN\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Marine Technology Society Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4031/mtsj.57.3.7","RegionNum":4,"RegionCategory":"工程技术","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"ENGINEERING, OCEAN","Score":null,"Total":0}
Abstract This article considers the methods of capturing deep ocean images with deep manned submersibles Mir-1 and Mir-2 (6,000-m depth) for feature films. The filming of Titanic by IMAX (Stephen Low) and Lightstorm Entertainment (James Cameron) companies with the use of deep ocean technique was pioneering work. The problems, which were solved during filming, as well as the development of special equipment are discussed.
期刊介绍:
The Marine Technology Society Journal is the flagship publication of the Marine Technology Society. It publishes the highest caliber, peer-reviewed papers, six times a year, on subjects of interest to the society: marine technology, ocean science, marine policy, and education.