战争剧是活生生的现实

Pub Date : 2023-10-20 DOI:10.14746/i.2023.34.43.1
Larysa Briukhovetska
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 Since 2014, the Russian aggression in Ukraine has prompted filmmakers to master a new genre of war drama to tell the stories of those who serve in the Ukrainian army or the territorial defense, as well as those who contribute to the war effort as volunteers. The article discusses Ukrainian war drama films: Cyborgs. Heroes Don’t Die, Call Sign Banderas, Mother of Apostles, Ilovaysk 2014. Donbas Battalion, Sniper. The White Raven. These films integrate war drama with other genres such as detective stories, adventure films, and psychological drama. They also refer to some archetypal themes and conflicts in order to frame the current experience of the war. However, it will be argued that these films do not simply reuse the existing genre models, but complicate them. They refresh war drama by prioritizing the concrete experience of the ongoing war against Russian aggression over the genre conventions. Ukrainian war drama shows not a game of war but the truth of war. It tells the real stories of the bravery of ordinary people who fight against Russian aggression.
 
 
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 Since 2014, the Russian aggression in Ukraine has prompted filmmakers to master a new genre of war drama to tell the stories of those who serve in the Ukrainian army or the territorial defense, as well as those who contribute to the war effort as volunteers. The article discusses Ukrainian war drama films: Cyborgs. Heroes Don’t Die, Call Sign Banderas, Mother of Apostles, Ilovaysk 2014. Donbas Battalion, Sniper. The White Raven. These films integrate war drama with other genres such as detective stories, adventure films, and psychological drama. They also refer to some archetypal themes and conflicts in order to frame the current experience of the war. However, it will be argued that these films do not simply reuse the existing genre models, but complicate them. They refresh war drama by prioritizing the concrete experience of the ongoing war against Russian aggression over the genre conventions. Ukrainian war drama shows not a game of war but the truth of war. It tells the real stories of the bravery of ordinary people who fight against Russian aggression.
 
 
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引用次数: 0

摘要

& # x0D;& # x0D;& # x0D;自2014年以来,俄罗斯对乌克兰的侵略促使电影人掌握了一种新的战争片类型,讲述那些在乌克兰军队或领土防御中服役的人的故事,以及那些作为志愿者为战争做出贡献的人的故事。本文讨论了乌克兰战争戏剧电影:赛博格。英雄不死,呼号班德拉斯,使徒之母,伊洛瓦伊斯克2014。顿巴斯营,狙击手。白乌鸦。这些电影将战争片与其他类型的电影如侦探小说、冒险片和心理片结合在一起。他们还提到了一些原型主题和冲突,以构建当前的战争经验。然而,有人会说,这些电影并不是简单地重复使用现有的类型模式,而是将它们复杂化。他们通过优先考虑正在进行的对抗俄罗斯侵略的战争的具体经历而不是类型惯例来刷新战争剧。乌克兰战争剧展示的不是战争游戏,而是战争的真相。它讲述了普通人勇敢反抗俄罗斯侵略的真实故事。& # x0D;& # x0D;
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War drama as a living reality
Since 2014, the Russian aggression in Ukraine has prompted filmmakers to master a new genre of war drama to tell the stories of those who serve in the Ukrainian army or the territorial defense, as well as those who contribute to the war effort as volunteers. The article discusses Ukrainian war drama films: Cyborgs. Heroes Don’t Die, Call Sign Banderas, Mother of Apostles, Ilovaysk 2014. Donbas Battalion, Sniper. The White Raven. These films integrate war drama with other genres such as detective stories, adventure films, and psychological drama. They also refer to some archetypal themes and conflicts in order to frame the current experience of the war. However, it will be argued that these films do not simply reuse the existing genre models, but complicate them. They refresh war drama by prioritizing the concrete experience of the ongoing war against Russian aggression over the genre conventions. Ukrainian war drama shows not a game of war but the truth of war. It tells the real stories of the bravery of ordinary people who fight against Russian aggression.
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