数字技术下现代陶瓷艺术创作的触觉空间感知研究

Jianhong Ren, Yueqing Cai
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摘要

根据艺术史学家阿洛伊斯·里格尔(Alois Riegl)的说法,“触觉构成了感知过程的基础,为视觉提供了必要的支持。”这种感官形态代表了个体与世界接触和理解世界的最“原始”的方式。在当代数字时代,现代陶艺家开始在陶瓷艺术领域探索更广阔的触觉频谱,从而进入未知的创意表达领域。这种探索已经从对物理触觉的独家关注转变为对多种虚拟触觉体验的结合。本研究的基本目的是探讨数字技术对陶器创作领域触觉参与的感知维度的影响。这项调查集中在对数字技术工具的利用及其对在其工艺中利用这些技术的陶艺艺术家的创造性遭遇的影响的综合分析。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Study on Tactile Spatial Perception of Modern Ceramic Art Creation under Digital Technology
According to art historian Alois Riegl, “The tactile sense forms the foundational underpinning of the perceptual process, providing essential support to the sense of vision.” This sensory modality represents the most “primordial” means through which individuals engage with and comprehend the world. In the contemporary digital age, modern ceramists have embarked on an exploration of an extended spectrum of tactile sensations within the realm of ceramic art, thus entering into uncharted realms of creative expression. This exploration has transitioned from an exclusive focus on physical tactile sensations to the incorporation of diverse virtual tactile experiences. The fundamental objective of this study is to probe into the influence of digital technology on the perceptual dimensions of tactile engagement within the domain of pottery creation. This investigation centers on a comprehensive analysis of the utilization of digital technology tools and their impact on the creative encounters of pottery artists who harness these technologies in their craft.
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