形象学的正与反:圣彼得堡东方学家关于彼得大帝在东亚形象的新专著,反之亦然

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
Valentin Ts. Golovachev
{"title":"形象学的正与反:圣彼得堡东方学家关于彼得大帝在东亚形象的新专著,反之亦然","authors":"Valentin Ts. Golovachev","doi":"10.21638/spbu13.2023.201","DOIUrl":null,"url":null,"abstract":"This publication aims to review and conceptually evaluate the collective monograph “The Image of Peter the Great in East Asia countries”, published in the year of the 350th anniversary of the first Russian Emperor and representing a new milestone in Russian science. The monograph prepared by a group of well-known St. Petersburg orientalists testifies to the significant development of comparative Imagology in Russian Oriental studies, caused by the rapid rapprochement of Russians and Asian peoples, the growing number of scholars, as well as the relevance, quantity and quality of their research in this field. The new book can be put on a par with the “Leo Tolstoy and the Orient” (1971) — a landmark book for Russian historiography, while the topic “Peter the Great and the Orient” is comparable in scale to the Oriental Space of the great Russian writer and serves as a unique refraction of Tolstoy’s “War and Peace” paradigm, which is extremely complicated, meaningful and interesting for academic study. As the review of the monograph reveals, during the study of Peter the Great’s image in the East Asia countries, the authors surpassed the title theme in quite a positive and creative way. But, considering the fundamental immensity of such theme as “Peter the Great’s Image in the Oriental countries”, it seems necessary to issue the second more expanded edition, enriched by the new countries and peoples of Asia and Africa, just like the “Leo Tolstoy and the Orient” monograph. The imagological research work could be also continued in the foreseeable future (before 2037) by the new fundamental international study, such as “Pushkin and the Orient: A. S. Pushkin’s Image in the Oriental countries and the Orient in the masterpieces of the great Russian poet”. The groundwork for such an academic project already exists in Russian Orientology for a very long time.","PeriodicalId":40378,"journal":{"name":"Vestnik Sankt-Peterburgskogo Universiteta-Iskusstvovedenie","volume":"43 1","pages":"0"},"PeriodicalIF":0.1000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Obverse and Reverse of the Imagology: A New Monograph by St. Petersburg Orientalists on Peter the Great’s Image in East Asia, and Vice Versa\",\"authors\":\"Valentin Ts. Golovachev\",\"doi\":\"10.21638/spbu13.2023.201\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This publication aims to review and conceptually evaluate the collective monograph “The Image of Peter the Great in East Asia countries”, published in the year of the 350th anniversary of the first Russian Emperor and representing a new milestone in Russian science. The monograph prepared by a group of well-known St. Petersburg orientalists testifies to the significant development of comparative Imagology in Russian Oriental studies, caused by the rapid rapprochement of Russians and Asian peoples, the growing number of scholars, as well as the relevance, quantity and quality of their research in this field. The new book can be put on a par with the “Leo Tolstoy and the Orient” (1971) — a landmark book for Russian historiography, while the topic “Peter the Great and the Orient” is comparable in scale to the Oriental Space of the great Russian writer and serves as a unique refraction of Tolstoy’s “War and Peace” paradigm, which is extremely complicated, meaningful and interesting for academic study. As the review of the monograph reveals, during the study of Peter the Great’s image in the East Asia countries, the authors surpassed the title theme in quite a positive and creative way. But, considering the fundamental immensity of such theme as “Peter the Great’s Image in the Oriental countries”, it seems necessary to issue the second more expanded edition, enriched by the new countries and peoples of Asia and Africa, just like the “Leo Tolstoy and the Orient” monograph. The imagological research work could be also continued in the foreseeable future (before 2037) by the new fundamental international study, such as “Pushkin and the Orient: A. S. Pushkin’s Image in the Oriental countries and the Orient in the masterpieces of the great Russian poet”. The groundwork for such an academic project already exists in Russian Orientology for a very long time.\",\"PeriodicalId\":40378,\"journal\":{\"name\":\"Vestnik Sankt-Peterburgskogo Universiteta-Iskusstvovedenie\",\"volume\":\"43 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2023-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Vestnik Sankt-Peterburgskogo Universiteta-Iskusstvovedenie\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.21638/spbu13.2023.201\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Vestnik Sankt-Peterburgskogo Universiteta-Iskusstvovedenie","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.21638/spbu13.2023.201","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0

摘要

本出版物旨在回顾并从概念上评价集体专著《彼得大帝在东亚国家的形象》,该专著出版于俄罗斯第一位皇帝诞辰350周年,代表了俄罗斯科学的一个新的里程碑。由一群著名的圣彼得堡东方学家编写的专著证明了俄罗斯东方研究中比较意象学的重大发展,这是由于俄罗斯和亚洲人民的迅速和解,学者的数量不断增加,以及他们在这一领域的研究的相关性,数量和质量。这本新书可以与俄罗斯史学里程碑式的著作《列夫·托尔斯泰与东方》(1971)相提并论,而“彼得大帝与东方”的主题在规模上可与这位伟大的俄罗斯作家的东方空间相媲美,是托尔斯泰“战争与和平”范式的独特折射,具有极其复杂、有意义和有趣的学术研究意义。通过对专著的考察可以发现,在对彼得大帝在东亚国家形象的研究中,作者以一种相当积极和创造性的方式超越了题目主题。但是,考虑到“彼得大帝在东方国家的形象”这一主题的根本广度,似乎有必要像“列夫·托尔斯泰与东方”专著一样,发行第二版,增加亚洲和非洲新国家和新人民的内容。在可预见的未来(2037年以前),新的国际基础研究,如“普希金与东方:普希金在东方国家的形象和俄罗斯大诗人名作中的东方”,也将继续进行意象学的研究工作。这样一个学术项目的基础在俄罗斯东方学中已经存在了很长时间。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Obverse and Reverse of the Imagology: A New Monograph by St. Petersburg Orientalists on Peter the Great’s Image in East Asia, and Vice Versa
This publication aims to review and conceptually evaluate the collective monograph “The Image of Peter the Great in East Asia countries”, published in the year of the 350th anniversary of the first Russian Emperor and representing a new milestone in Russian science. The monograph prepared by a group of well-known St. Petersburg orientalists testifies to the significant development of comparative Imagology in Russian Oriental studies, caused by the rapid rapprochement of Russians and Asian peoples, the growing number of scholars, as well as the relevance, quantity and quality of their research in this field. The new book can be put on a par with the “Leo Tolstoy and the Orient” (1971) — a landmark book for Russian historiography, while the topic “Peter the Great and the Orient” is comparable in scale to the Oriental Space of the great Russian writer and serves as a unique refraction of Tolstoy’s “War and Peace” paradigm, which is extremely complicated, meaningful and interesting for academic study. As the review of the monograph reveals, during the study of Peter the Great’s image in the East Asia countries, the authors surpassed the title theme in quite a positive and creative way. But, considering the fundamental immensity of such theme as “Peter the Great’s Image in the Oriental countries”, it seems necessary to issue the second more expanded edition, enriched by the new countries and peoples of Asia and Africa, just like the “Leo Tolstoy and the Orient” monograph. The imagological research work could be also continued in the foreseeable future (before 2037) by the new fundamental international study, such as “Pushkin and the Orient: A. S. Pushkin’s Image in the Oriental countries and the Orient in the masterpieces of the great Russian poet”. The groundwork for such an academic project already exists in Russian Orientology for a very long time.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
0.20
自引率
50.00%
发文量
9
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信