{"title":"没有洞察力的视力丧失——Ensaio sobre a Cegueira的全球化城市/失明(2008),作者:Fernando Meirelles","authors":"Carolin Overhoff Ferreira","doi":"10.18309/ranpoll.v53i3.1839","DOIUrl":null,"url":null,"abstract":"Blindness (2008) by Fernando Meirelles used its mode of production as a motive to situate its story in urban spaces that results in fact from an assembled city. Filming Blindness took place in Toronto, São Paulo, Osaka and Montevideo. The resulting assembled globalized city blurs the insight in Saramago into the limits of individuality by offering a homogeneous worldview that levels socio-economic differences, especially between the north and the south. Losing (clear) sight is in the original text in fact a metaphor for the inability of coping with society’s inhumanity in these particular sites. The aim of this article is to study the film by using the concepts of e-motion and indisciplinarity to reveal that Blindness is nothing more than a conventional approach towards a more complex idea on the loss of sight. By marketing it for a globalized audience, the mimics blindness and thus elimenates Saramago’s lucidity regarding the loss of sight of an entire civilization.","PeriodicalId":41303,"journal":{"name":"Revista da Anpoll","volume":"41 1","pages":"0"},"PeriodicalIF":0.1000,"publicationDate":"2023-02-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Loss of vision without insight – the globalized city in Ensaio sobre a Cegueira/Blindness (2008) by Fernando Meirelles\",\"authors\":\"Carolin Overhoff Ferreira\",\"doi\":\"10.18309/ranpoll.v53i3.1839\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Blindness (2008) by Fernando Meirelles used its mode of production as a motive to situate its story in urban spaces that results in fact from an assembled city. Filming Blindness took place in Toronto, São Paulo, Osaka and Montevideo. The resulting assembled globalized city blurs the insight in Saramago into the limits of individuality by offering a homogeneous worldview that levels socio-economic differences, especially between the north and the south. Losing (clear) sight is in the original text in fact a metaphor for the inability of coping with society’s inhumanity in these particular sites. The aim of this article is to study the film by using the concepts of e-motion and indisciplinarity to reveal that Blindness is nothing more than a conventional approach towards a more complex idea on the loss of sight. By marketing it for a globalized audience, the mimics blindness and thus elimenates Saramago’s lucidity regarding the loss of sight of an entire civilization.\",\"PeriodicalId\":41303,\"journal\":{\"name\":\"Revista da Anpoll\",\"volume\":\"41 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2023-02-16\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Revista da Anpoll\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.18309/ranpoll.v53i3.1839\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LANGUAGE & LINGUISTICS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Revista da Anpoll","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18309/ranpoll.v53i3.1839","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LANGUAGE & LINGUISTICS","Score":null,"Total":0}
引用次数: 0
摘要
Fernando Meirelles的作品《失明》(2008)以其生产方式为动机,将其故事置于城市空间中,而城市空间实际上是由一个聚集的城市产生的。拍摄《失明》在多伦多、圣保罗、大阪和蒙得维的亚进行。由此形成的全球化城市通过提供同质的世界观来消除社会经济差异,尤其是南北之间的社会经济差异,从而模糊了萨拉马戈对个性限制的洞察力。在原文中,失去(清晰的)视力实际上是一种隐喻,指的是在这些特定地点无法应对社会的不人道。本文的目的是通过使用电子运动和无纪律的概念来研究这部电影,以揭示《失明》只不过是一种传统的方法,以达到更复杂的视觉丧失的想法。通过向全球观众推销,他们模仿失明,从而消除了萨拉马戈对整个文明失明的清醒认识。
Loss of vision without insight – the globalized city in Ensaio sobre a Cegueira/Blindness (2008) by Fernando Meirelles
Blindness (2008) by Fernando Meirelles used its mode of production as a motive to situate its story in urban spaces that results in fact from an assembled city. Filming Blindness took place in Toronto, São Paulo, Osaka and Montevideo. The resulting assembled globalized city blurs the insight in Saramago into the limits of individuality by offering a homogeneous worldview that levels socio-economic differences, especially between the north and the south. Losing (clear) sight is in the original text in fact a metaphor for the inability of coping with society’s inhumanity in these particular sites. The aim of this article is to study the film by using the concepts of e-motion and indisciplinarity to reveal that Blindness is nothing more than a conventional approach towards a more complex idea on the loss of sight. By marketing it for a globalized audience, the mimics blindness and thus elimenates Saramago’s lucidity regarding the loss of sight of an entire civilization.