历史变软:在好莱坞巴比伦表演丑闻的20世纪20年代

Q1 Social Sciences
David Church
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引用次数: 0

摘要

《好莱坞巴比伦》改编自肯尼斯·安格(Kenneth Anger)关于早期好莱坞丑闻的臭名昭著的书(未经许可),1972年的剥削版《好莱坞巴比伦》是一部准纪录片,在无声时代电影的公共领域镜头和安格一些最耸人听闻的轶事的软核重演之间交替进行。这部电影对他那些可疑的故事进行了一般性的重构,将其作为后期剥削的素材,参与了这本书去神化明星的使命,但它对真实的性行为的保留软化了其丑闻主题的冲击,同时无意中炫耀了《愤怒》对历史的虚构化。这篇文章认为,好莱坞巴比伦的表演双重标志着电影制作人对性的描述和愤怒的好莱坞爱情的“柔软”,结合了书中关于银幕上的颓废,银幕外的堕落和电影世界的失败的主题联系。关键词:纪录片剥削改编演出丑闻披露声明作者未报告潜在利益冲突。注1在这里和下面,对好莱坞巴比伦出版社和求职信的参考来自丽莎·佩特鲁奇·弗拉尼的私人收藏,她继续通过Something Weird Video提供这部电影。我非常感谢Lisa提供了这些文件具有讽刺意味的是,他自己的几部后期电影,包括《绿色地狱》(《愤怒》),都是导演。《我会看着你》(《愤怒》,导演)。Citation2007b),主要由同性恋色情视频的盗版片段组成此外,迪特里希和冯·斯滕伯格合作的好莱坞时期是在20世纪30年代,而不是20世纪20年代,所以这一段甚至不适合这部电影的范围。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
History gone soft: performing the scandalous 1920s in Hollywood Babylon
ABSTRACTAdapted (without permission) from Kenneth Anger’s notorious book about early Hollywood scandals, the 1972 sexploitation version of Hollywood Babylon is a quasi-documentary that alternates between public-domain footage from silent-era films and softcore re-enactments of some of Anger’s most lurid anecdotes. The film’s generic reframing of his dubious stories as late-period sexploitation fodder participates in the book’s mission of desacralizing the stars, but its reticence to include unsimulated sex softens the punch of its scandalous subject matter, while inadvertently flaunting Anger’s fictionalization of history. This article argues that the performances in Hollywood Babylon doubly signal the ‘softness’ of both the filmmakers’ depictions of sex and Anger’s Hollywood lore, compounding the book’s thematic linkage of on-screen decadence, off-screen perversion, and movieland failures.KEYWORDS: Documentarysexploitationadaptationperformancere-enactmentscandal Disclosure statementNo potential conflict of interest was reported by the author.Notes1 Here and in the following, references to the Hollywood Babylon pressbook and cover letter are from the private collection of Lisa Petrucci Vraney, who continues to make the film available via Something Weird Video. My supreme thanks to Lisa for making these documents available.2 Ironically, several of Anger’s own late-period films, including Green Hell (Anger, dir. Citation2007a) and I’ll Be Watching You (Anger, dir. Citation2007b), largely consist of pirated footage from gay porn videos.3 Additionally, Dietrich and Von Sternberg’s collaborative Hollywood period was the 1930s, rather than the 1920s, so this segment does not even fit the film’s purview.
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来源期刊
Porn Studies
Porn Studies Social Sciences-Cultural Studies
CiteScore
2.70
自引率
0.00%
发文量
30
期刊介绍: orn Studies is the first dedicated, international, peer-reviewed journal to critically explore those cultural products and services designated as pornographic and their cultural, economic, historical, institutional, legal and social contexts. Porn Studies will publish innovative work examining specifically sexual and explicit media forms, their connections to wider media landscapes and their links to the broader spheres of (sex) work across historical periods and national contexts. Porn Studies is an interdisciplinary journal informed by critical sexuality studies and work exploring the intersection of sexuality, gender, race, class, age and ability. It focuses on developing knowledge of pornographies past and present, in all their variations and around the world. Because pornography studies are still in their infancy we are also interested in discussions that focus on theoretical approaches, methodology and research ethics. Alongside articles, the journal includes a forum devoted to shorter observations, developments, debates or issues in porn studies, designed to encourage exchange and debate. Peer Review Policy: All research articles published in this journal have undergone rigorous peer review, based on initial editor screening and anonymized refereeing by at least two anonymous referees.
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