可转换的经典

Carolyn Hardin
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引用次数: 0

摘要

关于粉丝转换文本的原因的研究在很大程度上没有回答为什么特定类型的文本比其他文本更频繁地被粉丝转换的问题。所有文本在技术上都可用于风扇转换。然而,并不是所有的文本都得到了同样的转换。客观事实是,一些电视剧比其他电视剧更能吸引粉丝的参与。在这篇文章中,我认为文本的形式属性使它们更容易受到变革性粉丝作品的影响,也就是说,更容易被转化。显示:(1)假设一个塑料宇宙,更容易容纳“游戏”而不是现实主义,(2)涉及遵循情节剧的一些叙事惯例的故事,(3)显示具有“船”的主要人物-特别是同性恋的“斜杠”-可能具有可转换的标准。为了证明这个论点,我研究了FanFiction.net和ArchiveOfOurOwn.org网站上有最多同人小说的两部剧及其各自的同人小说:《邪恶力量》和《神探夏洛克》。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The transformable canon
Studies of the reasons fans transform texts for the most part leave unanswered the question of why particular kinds of texts are transformed by fans more frequently than others. All texts are technically available for fan transformation. However, not all texts are equally transformed. It is an objective fact that some TV shows attract more transformative fan engagement than others. In this article, I argue that formal properties of texts make them more likely to be subject to transformative fan works, i.e. more transformable. Shows that (1) posit a plastic universe that more easily accommodates ‘play’ than realism, (2) involve stories that follow some of the narrative conventions of melodrama and (3) display main characters with ‘ship’ – especially homoerotic ‘slash’ – potential have transformable canons. To prove this thesis, I examine two of the shows – and their respective fanfiction – that have the most fanfiction on FanFiction.net and ArchiveOfOurOwn.org: Supernatural and Sherlock .
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