《为我们的部落跳舞:新千年的波塔瓦托米传统》作者:莎朗·胡格斯特拉滕

IF 0.1 4区 历史学 N/A HUMANITIES, MULTIDISCIPLINARY
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The first three chapters—veterans, grandmothers, and dancers—address and are ordered to mimic the succession of the dancers one would see as they enter the powwow arena at Grand Entry. The next five chapters—tradition, storytellers, family, elders, and seven generations—explore themes that \"respect cultural priorities\" in the powwow (v). The final chapter—powwow—pans out on the powwow itself. The book recreates the exhibition experience. One will find themselves first taking in a large portrait. Hoogstraten sometimes places a landscape significant to Potawatomi history as the background for the portrait. Accompanying each portrait, one will then find a handwritten statement from each subject. The statements address the subject's regalia and other topics of significance. Hoogstraten brings additional history and culture into the book. She also explains the historical significance of the background in some of the portraits and, at intervals, supplements the portraits and the statements with photos and elaboration on a topic. This contextualizes the portraits and statements for the reader who may not be familiar with the content and enriches the book for those who want to know more about a topic. Some of the topics discussed include removal from the Great Lakes, the Potawatomi trail of death, former and present Potawatomi reservations in Kansas and Oklahoma, boarding schools, and Native American military history. The author started this project with the Citizen Potawatomi Nation in Oklahoma and then expanded to include the nine nations who have hosted the annual gathering of Potawatomi nations over the past decade. The reader should note that the book still emphasizes the Citizen Potawatomi Nation, though. Additionally, the reader should note that the author does not directly address an inductive method for finding themes for her chapters; rather, readers are left to come to their own conclusions based on the stories shared throughout the book. Hoogstraten has put together a vivid and contemporary set of portraits and stories. Anyone wanting to learn more about Potawatomi people and their regalia would do well to pick up a copy. [End Page 251] Robert E. 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引用次数: 0

摘要

书评:为我们的部落跳舞:新千年的波塔瓦托米传统作者:Sharon Hoogstraten Robert E. Lewis Jr.为我们的部落跳舞:新千年的波塔瓦托米传统。Sharon Hoogstraten著。诺曼:俄克拉荷马大学出版社,2022年。304页。地图,插图。布80.00美元。在过去的十年里,公民波塔瓦托米民族的成员莎伦·胡格斯特拉滕在俄克拉何马州、堪萨斯州和五大湖周围拍摄了波塔瓦托米人及其亲属的肖像。此外,她还收集了受试者的陈述。在《为我们的部落跳舞》中,胡格斯特拉滕提供了这些肖像和声明的印刷展览。Hoogstraten以以下方式解释了她的书的组织方式:“章节的组织尊重文化优先级,并受到大入口模式的影响”(v)。前三章——老兵、祖母和舞者——被要求模仿舞者进入大入口祈祷舞台时的顺序。接下来的五章——传统、讲故事的人、家庭、长辈和七代人——探讨了祈祷仪式中“尊重文化优先”的主题(v)。最后一章——祈祷仪式本身。这本书再现了展览的体验。人们会发现自己首先看到的是一幅大幅肖像。Hoogstraten有时会将对波塔瓦托米历史意义重大的风景作为肖像的背景。在每幅肖像的旁边,你会发现每个人物的手写声明。这些声明涉及主题的王权和其他重要主题。Hoogstraten在书中加入了更多的历史和文化。她还解释了一些肖像中背景的历史意义,并不时地用照片和对某个主题的阐述来补充肖像和陈述。这为那些可能不熟悉内容的读者提供了肖像和陈述的背景,并为那些想要了解更多主题的人丰富了这本书。讨论的一些话题包括从五大湖迁移,波塔瓦托米人的死亡之路,堪萨斯州和俄克拉何马州的波塔瓦托米人以前和现在的保留地,寄宿学校,以及美洲原住民的军事历史。作者与俄克拉何马州的公民波塔瓦托米民族一起开始了这个项目,然后扩展到过去十年中举办波塔瓦托米民族年度聚会的九个国家。读者应该注意到,这本书仍然强调公民波塔瓦托米国家。此外,读者应该注意到,作者并没有直接使用归纳方法来寻找章节的主题;相反,读者可以根据书中分享的故事得出自己的结论。胡格斯特拉滕汇集了一组生动而现代的肖像和故事。任何想了解更多关于波塔瓦托米人和他们的王室的人都可以拿起一本副本。[End Page 251] Robert E. Lewis Jr. Gladstone, Michigan版权所有©2023内布拉斯加大学林肯分校大平原研究中心
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Dancing for Our Tribe: Potawatomi Tradition in the New Millennium by Sharon Hoogstraten (review)
Reviewed by: Dancing for Our Tribe: Potawatomi Tradition in the New Millennium by Sharon Hoogstraten Robert E. Lewis Jr. Dancing for Our Tribe: Potawatomi Tradition in the New Millennium. By Sharon Hoogstraten. Norman: University of Oklahoma Press, 2022. 304 pp. Maps, illustrations. $80.00 cloth. Over the past decade, Citizen Potawatomi Nation member Sharon Hoogstraten took portraits of Potawatomi people and their relations in their regalia in Oklahoma, Kansas, and around the Great Lakes. Additionally, she collected statements from her subjects. In Dancing for Our Tribe, Hoogstraten offers a print exhibition of these portraits and statements. Hoogstraten explains her organization of the book in the following way: "Chapters are organized to respect cultural priorities and influenced by the patterns of Grand Entry" (v). The first three chapters—veterans, grandmothers, and dancers—address and are ordered to mimic the succession of the dancers one would see as they enter the powwow arena at Grand Entry. The next five chapters—tradition, storytellers, family, elders, and seven generations—explore themes that "respect cultural priorities" in the powwow (v). The final chapter—powwow—pans out on the powwow itself. The book recreates the exhibition experience. One will find themselves first taking in a large portrait. Hoogstraten sometimes places a landscape significant to Potawatomi history as the background for the portrait. Accompanying each portrait, one will then find a handwritten statement from each subject. The statements address the subject's regalia and other topics of significance. Hoogstraten brings additional history and culture into the book. She also explains the historical significance of the background in some of the portraits and, at intervals, supplements the portraits and the statements with photos and elaboration on a topic. This contextualizes the portraits and statements for the reader who may not be familiar with the content and enriches the book for those who want to know more about a topic. Some of the topics discussed include removal from the Great Lakes, the Potawatomi trail of death, former and present Potawatomi reservations in Kansas and Oklahoma, boarding schools, and Native American military history. The author started this project with the Citizen Potawatomi Nation in Oklahoma and then expanded to include the nine nations who have hosted the annual gathering of Potawatomi nations over the past decade. The reader should note that the book still emphasizes the Citizen Potawatomi Nation, though. Additionally, the reader should note that the author does not directly address an inductive method for finding themes for her chapters; rather, readers are left to come to their own conclusions based on the stories shared throughout the book. Hoogstraten has put together a vivid and contemporary set of portraits and stories. Anyone wanting to learn more about Potawatomi people and their regalia would do well to pick up a copy. [End Page 251] Robert E. Lewis Jr. Gladstone, Michigan Copyright © 2023 Center for Great Plains Studies, University of Nebraska–Lincoln
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来源期刊
Great Plains Quarterly
Great Plains Quarterly HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.10
自引率
0.00%
发文量
20
期刊介绍: In 1981, noted historian Frederick C. Luebke edited the first issue of Great Plains Quarterly. In his editorial introduction, he wrote The Center for Great Plains Studies has several purposes in publishing the Great Plains Quarterly. Its general purpose is to use this means to promote appreciation of the history and culture of the people of the Great Plains and to explore their contemporary social, economic, and political problems. The Center seeks further to stimulate research in the Great Plains region by providing a publishing outlet for scholars interested in the past, present, and future of the region."
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