《犹太人之城》(1924年)

IF 0.2 Q3 Social Sciences
Lisa Silverman
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引用次数: 0

摘要

摘要:与雨果·贝陶尔1922年的同名小说不同,汉斯·卡尔·布雷斯劳尔1924年的电影《犹太人的城市》以犹太女性为主角。她们以百货商店顾客、母亲、妻子、女朋友和犹太教堂会众的身份出现,但她们从不参与对话,除了一个例外,她们总是和男人在一起。尽管片中有犹太女性的身影,但这部电影几乎没有改变对她们的刻板印象,严重限制了它挑战控制她们形象的强大社会结构的能力。本文探讨了这部电影2018年修复版中出现的额外场景如何解决当代对犹太男女外表、行为和作为非犹太人的能力的焦虑。一部旨在反对对犹太人的仇恨的电影最终无法让观众面对反犹主义的荒谬,这揭示了两次世界大战之间的电影在传递关键信息方面的局限性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Stadt mit Jüdinnen: Antisemitism and Misogyny in Hans Karl Breslauer's Recently Restored Film Die Stadt ohne Juden (1924)
Abstract: Unlike Hugo Bettauer's 1922 novel, on which it is based, Hans Karl Breslauer's 1924 film Die Stadt ohne Juden features Jewish women. They appear as department store customers, mothers, wives, girlfriends, and synagogue congregants, yet they never engage in dialogue and, with but one exception, are always depicted together with men. Despite its inclusion of Jewish women, the film does little to disturb stereotypical representations of them, severely limiting its ability to challenge the powerful social structures that govern their representation. This article explores how additional scenes that appear in the restored 2018 version of this film address contemporary anxieties about Jewish women's and men's appearance, behavior, and ability to pass as non-Jews. That a film intended to oppose hatred of Jews ultimately cannot confront audiences with the absurdity of antisemitism reveals the limits of interwar films in transmitting critical messages.
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来源期刊
Feminist German Studies
Feminist German Studies WOMENS STUDIES-
CiteScore
0.30
自引率
0.00%
发文量
0
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