{"title":"电视戏剧作为一种生产模式:1962年芬兰电视改编世界","authors":"Jukka Kortti","doi":"10.1386/jsca_00082_1","DOIUrl":null,"url":null,"abstract":"The focus in this article is on the role of television theatre in the early years of television broadcasting in Finland. The production context in which Kaj Munk’s play Ordet ( The Word ) (1932) – best known from Carl Th. Dreyer’s internationally renowned film classic of the same title – was adapted for transmission via Finland’s Swedish-language television theatre serves as an example. The teleplay (1962) was directed by Tom Segerberg.","PeriodicalId":42248,"journal":{"name":"Journal of Scandinavian Cinema","volume":"59 1","pages":"0"},"PeriodicalIF":0.1000,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Television theatre as a mode of production: Adapting The Word for Finnish television in 1962\",\"authors\":\"Jukka Kortti\",\"doi\":\"10.1386/jsca_00082_1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The focus in this article is on the role of television theatre in the early years of television broadcasting in Finland. The production context in which Kaj Munk’s play Ordet ( The Word ) (1932) – best known from Carl Th. Dreyer’s internationally renowned film classic of the same title – was adapted for transmission via Finland’s Swedish-language television theatre serves as an example. The teleplay (1962) was directed by Tom Segerberg.\",\"PeriodicalId\":42248,\"journal\":{\"name\":\"Journal of Scandinavian Cinema\",\"volume\":\"59 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2023-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Scandinavian Cinema\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/jsca_00082_1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Scandinavian Cinema","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/jsca_00082_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
Television theatre as a mode of production: Adapting The Word for Finnish television in 1962
The focus in this article is on the role of television theatre in the early years of television broadcasting in Finland. The production context in which Kaj Munk’s play Ordet ( The Word ) (1932) – best known from Carl Th. Dreyer’s internationally renowned film classic of the same title – was adapted for transmission via Finland’s Swedish-language television theatre serves as an example. The teleplay (1962) was directed by Tom Segerberg.
期刊介绍:
Journal of Scandinavian Cinema is a scholarly journal devoted to excellent research and stimulating discussion focusing on the cinemas of Denmark, Finland, Iceland, Norway and Sweden, both within their national and Nordic contexts, and as transnational cinemas in a globalized world.