加斯顿·巴舍拉的《火诗学的碎片》。三个神话人物

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摘要

加斯顿·巴舍拉的最后一本书(或者更确切地说,是苏珊娜·巴舍拉在1961-1962年间编辑和出版的笔记,这些笔记是在它们写完20多年后出版的)对普罗米修斯、凤凰城和恩培多克勒斯这三个神话人物进行了分析。普罗米修斯神话和恩培多克勒斯之死的神话早在巴舍拉以前的作品中就有提及。在《残片》中,他扩展并补充了他早期的分析。本文将在巴舍拉哲学的演变及其主要灵感的背景下,探讨对《碎片》中某些神话的解读。它还解决了以下问题:1)巴舍拉晚期作品中的神话是什么?2)他的主要灵感(精神分析、分析心理学、现象学)在他后期的研究中仍然明显可见?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Gaston Bachelard’s fragments d’une poétique du feu. Three mythical figures
Gaston Bachelard’s last book (or, rather, notes from 1961–1962, edited and published by Suzanne Bachelard, more than twenty years after they were written) presents analyses of three mythical figures: Prometheus, Phoenix, and Empedocles. The Promethean myth and the myth of Empedocles’s death were earlier addressed in Bachelard’s previous works. In Fragments d’une poétique du feu, he extends and supplements his earlier analyses. The article examines the interpretations of selected myths in Fragments… in the context of the evolution of Bachelard’s philosophy and his key inspirations. It also addresses the following questions: 1) what is myth in Bachelard’s late work? 2) which of his main inspirations (psychoanalysis, analytical psychology, phenomenology) are still strongly visible in his late research?
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