疾驰的闪回:20世纪60 - 70年代土耳其动作/冒险电影中国家空间的表现

Güldeniz Kıbrıs
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引用次数: 0

摘要

本研究探讨了24部具有历史背景的动作/冒险电影对国家空间及其边界的表现。它专注于以漫画英雄为主角的电影系列:泰坎、Karaoğlan、Malkoçoğlu、巴达·加齐和卡拉·穆拉特,这些电影都是在1965年至1978年间制作的。虽然它们并没有作为电影被认真对待,但它们在土耳其民族记忆中的突出地位,使它们成为理解冷战时期土耳其民族主义各种形式的有效工具。这篇文章展示了20世纪60年代和70年代土耳其的政治和意识形态变化,有时微妙地反映在这一时期的动作/冒险电影中。特别是,在20世纪60年代后半期,土耳其的动作/冒险电影在20世纪70年代过渡到更激进和暴力的电影表现形式。对土耳其行动/冒险英雄的描述中,侵略性的增加伴随着对国家空间的缩小和更有限的描述,反映了这个国家更具防御性的时代精神。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Galloping Flashbacks: The Representation of National Space in Turkish Action/Adventure Films of the 1960s–1970s
This study explores the representations of national space and its borders in twenty-four action/adventure films with historical settings. It concentrates on film series featuring comic-book heroes: Tarkan, Karaoğlan, Malkoçoğlu, Battal Gazi, and Kara Murat, all produced between 1965 and 1978. Although they have not been taken seriously as films, their prominent place in Turkish national memory, makes them effective tools for understanding varieties of Turkish nationalism in the Cold War period. This article demonstrates that political and ideological changes in the Turkey of the 1960s and 1970s were reflected, at times subtly, in the action/adventure films of the period. In particular, during the second half of the 1960s, Turkish action/adventure films transitioned to more radical and violent cinematic representations in the 1970s. Increased aggression in the depiction of Turkish action/adventure heroes was accompanied by a shrinking and more limited depiction of national space, reflecting the country’s more defensive zeitgeist.
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