摄影的伦理写作:库切散文的措辞策略

IF 0.1 3区 文学 0 LITERATURE
Iona Gilburt
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引用次数: 0

摘要

摘要:在小说《伊丽莎白·科斯特洛》、《慢男人》和《生活》中;在《迈克尔·K·j·m·库切的时代》中,他通过措辞的技巧,塑造了一种“写照片”而不是“写关于照片”的伦理模式,在散文中再现了几个生动的、往往令人不安的图像。通过措辞,读者成为Liliane Louvel所说的“读者/观众”,并被吸引到一种重写式的相遇中,在这种相遇中,图像激活了视觉媒体的集体知识和经验。措辞的使用伴随着独特的道德要求。细致的分析使我们能够探索写作的策略,比如突出看不见的东西,库切用这些策略来回应这些担忧。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Writing Photographs Ethically: Strategies of Ekphrasis in J.M. Coetzee's Prose
Abstract: In the novels Elizabeth Costello, Slow Man , and Life & Times of Michael K , J.M. Coetzee fashions an ethical mode of "writing photographs" rather than "writing about photographs" via the technique of ekphrasis to recreate in prose several vivid and often unsettling images. Through ekphrasis, the reader becomes what Liliane Louvel terms a "reader/viewer" and is drawn into a palimpsestic encounter in which the image activates collective knowledge and experiences of visual media. The use of ekphrasis comes with unique ethical imperatives. Close analysis enables an exploration into the strategies of writing, such as foregrounding what is unseen, that Coetzee employs to respond to such concerns.
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