通过街道传播:COVID-19街头艺术数据库

IF 0.4 3区 社会学 0 FOLKLORE
David Todd Lawrence, Heather Shirey
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引用次数: 0

摘要

摘要:2019冠状病毒病街头艺术数据库是一个众包数据库,包含了500多份街头艺术图像的个人记录,包括贴纸、标签、灯光投影、壁画——街头、公共空间、书写或贴在建筑环境上的各种艺术表达方式。这不仅仅是一个视觉表达的档案;它是一个白话交流行为的档案,在交流过程中,表达文化群体的关注和情感——尤其是那些不认为自己是权力结构一部分的人所表达的。对这组图像的探索表明,街头艺术可以解决像COVID-19这样的大流行所带来的恐惧和困惑。就像口头的方言叙事形式一样,我们认为街头艺术可以使我们对危机经验的文化反应外在。它可以在隔离等长期隔离期间将人们彼此联系起来,提供关于权力关系和先前存在的压迫和剥削条件的替代叙述,对公共空间的性质发表评论,并且确实增加了所有这些信息的影响以及有关安全和健康的相关建议和指导-特别是在世界各地的面对面接触已经减少的时刻。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Spreading Through the Streets: The COVID-19 Street Art Database
Abstract: The COVID-19 Street Art Database is a crowdsourced collection of more than five hundred individual records containing images of street art, including stickers, tags, light projections, murals—all manner of artistic expression in the streets, in public space, written on or affixed to the built environment. This is more than an archive of visual expression; it is an archive of vernacular communicative acts, communication in process, expressing the concerns and emotions of cultural groups—especially as expressed by those who do not see themselves as part of the power structure. An exploration of this collection of images reveals that street art can address the fears and confusion surrounding all that accompanies a pandemic like COVID-19. Like verbal vernacular narrative forms, we argue that street art can make external our cultural responses to the experience of crisis. It can connect people to each other during extended periods of isolation such as quarantine, offer alternative narratives regarding relations of power and previously existing conditions of oppression and exploitation, comment on the nature of public space, and indeed multiply the impact of all these messages as well as pertinent advice and direction about safety and health—especially in a moment when in-person contact around the world has been curtailed.
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来源期刊
CiteScore
0.60
自引率
0.00%
发文量
1
期刊介绍: The Journal of Folklore Research has provided an international forum for current theory and research among scholars of traditional culture since 1964. Each issue includes topical, incisive articles of current theoretical interest to folklore and ethnomusicology as international disciplines, as well as essays that address the fieldwork experience and the intellectual history of folklore and ethnomusicology studies. Contributors include scholars and professionals in additional fields, including anthropology, area studies, communication, cultural studies, history, linguistics, literature, performance studies, religion, and semiotics.
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