论平行政治:斯宾塞《仙后》中的圣经典故

IF 0.2 3区 文学 0 LITERATURE
Raphael Magarik
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引用次数: 0

摘要

摘要:现代学术倾向于以一种详尽的、有纪律的方式研究圣经诗歌,从而以一种非政治的方式定义平行。回到前现代时期,更局部的平行概念可以重新打开形式政治的问题。我认为,斯宾塞在《仙后》中塑造了平等主义巨人的情节,围绕着他的圣经平行概念,这涉及到诉诸文学平衡来超越圣经中的政治紧张。在《仙后》中,我们看到了早期对圣经的文学解读来遏制政治冲突;斯宾塞的平行概念既证明了圣经诗歌扰乱社会秩序的暴躁、激进的可能性,也证明了一种更超然、更有纪律、更审美化的诗歌方法的出现。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
On the Politics of Parallelism: Biblical Allusions in Spenser’s The Faerie Queene
Abstract: Modern scholarship tends to investigate biblical poetry in an exhaustive, disciplined fashion and thus defines parallelism in an apolitical way. Returning to the premodern period, more partial conceptions of parallelism can newly open the question of the form’s politics. I argue that Spenser shapes the episode of the Egalitarian Giant in The Faerie Queene around his conception of biblical parallelism, which involves a recourse to literary balance to transcend political tensions within scripture. In The Faerie Queene , we see an early employment of a literary approach to Scripture to contain political conflict; Spenser’s conception of parallelism testifies both to biblical poetry’s fractious, radical possibilities to disrupt the social order and to the emergence of a more detached, disciplined, and aestheticized approach to that poetry.
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来源期刊
CiteScore
0.20
自引率
0.00%
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期刊介绍: For sixteen years, Prooftexts: A Journal of Jewish Literary History has brought to the study of Jewish literature, in its many guises and periods, new methods of study and a new wholeness of approach. A unique exchange has taken place between Israeli and American scholars, as more work from Israelis has appeared in the journal. Prooftexts" thematic issues have made important contributions to the field.
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