{"title":"作为幽灵的艺术家肖像:菲利普·罗斯对艺术家的描绘中的乔伊斯回声","authors":"Rachele Puddu","doi":"10.1353/prs.2023.a907258","DOIUrl":null,"url":null,"abstract":"Abstract: This essay traces the origin of the ghost’s metaphor in Philip Roth’s The Ghost Writer (1979) and argues that, under the influence of James Joyce, Roth molds his poetics through his most famous fictional double and his artistic journey. At the same time, he shapes an authorial figure that questions the act of writing in the twentieth century.","PeriodicalId":37093,"journal":{"name":"Philip Roth Studies","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A Portrait of the Artist as a Ghost: Joycean Echoes in Philip Roth’s Depiction of the Artist\",\"authors\":\"Rachele Puddu\",\"doi\":\"10.1353/prs.2023.a907258\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract: This essay traces the origin of the ghost’s metaphor in Philip Roth’s The Ghost Writer (1979) and argues that, under the influence of James Joyce, Roth molds his poetics through his most famous fictional double and his artistic journey. At the same time, he shapes an authorial figure that questions the act of writing in the twentieth century.\",\"PeriodicalId\":37093,\"journal\":{\"name\":\"Philip Roth Studies\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Philip Roth Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/prs.2023.a907258\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Philip Roth Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/prs.2023.a907258","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
A Portrait of the Artist as a Ghost: Joycean Echoes in Philip Roth’s Depiction of the Artist
Abstract: This essay traces the origin of the ghost’s metaphor in Philip Roth’s The Ghost Writer (1979) and argues that, under the influence of James Joyce, Roth molds his poetics through his most famous fictional double and his artistic journey. At the same time, he shapes an authorial figure that questions the act of writing in the twentieth century.