中介考古学:论后期拜占庭艺术和物质文化中的蒙古元素

Q4 Arts and Humanities
Nikolaos Vryzidis
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引用次数: 0

摘要

后期拜占庭(1261-1453)的外交通常以实用主义为特征,特别是在帝国选择盟友时,可以促进其政治稳定并减轻其财政负担。在更远的盟友中,有从中亚一直延伸到高加索和东欧的不同的蒙古政体。尽管不是近邻,但拜占庭和蒙古之间的关系以中间人为标志,无论是在两个王国之间的角色,还是在一方可以为另一方的利益提供服务方面。在这个框架内,下面的文章将尝试初步评估蒙古元素在后来的拜占庭艺术和物质文化中,以及它作为这种复杂关系的次要来源的可能性。它将争辩说,虽然蒙古对拜占庭艺术和物质文化的贡献是显而易见的,特别是在14世纪,但有一些例子显示出对它的某种矛盾心理。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Archaeology of Intermediation: Prolegomena on Mongol Elements in Later Byzantine Art and Material Culture
Abstract Later Byzantine (1261–1453) diplomacy was generally characterised by pragmatism, especially in the empire’s choice of allies that could foster its political stability and mitigate its financial burdens. Among its more distant allies were the different Mongol polities that stretched from Central Asia up to the Caucasus and Eastern Europe. Despite not being immediate neighbours, the relationship between Byzantium and the Mongols was marked by intermediation, both in terms of the actors that functioned across the two realms and of the service the one could provide to the interests of the other. Within this frame, the following article will attempt a preliminary assessment of the Mongol element in later Byzantine art and material culture, and its possible use as a secondary source on this complex relationship. It will argue that while the Mongol contribution to Byzantine art and material culture was visible especially during the fourteenth century, there are instances which reveal a certain ambivalence towards it.
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来源期刊
Crossroads
Crossroads Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
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0.00%
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8
审稿时长
18 weeks
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