帝国游戏之旅的快照:Peter Heatly和1950年苏格兰队的方言摄影

IF 0.2 4区 艺术学 N/A ART
Richard Haynes
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引用次数: 0

摘要

彼得·希特里爵士是前苏格兰跳水运动员,曾参加过三届大英帝国运动会和一届奥运会。在他所有的重大比赛之旅中,他都拍摄了个人照片,并保存了与他的旅行有关的出版材料和蜉蝣,这些材料随后被整齐地存储在相册和剪贴簿中,直到2018年,他的家人将个人档案存放在斯特灵大学。Heatly的本地摄影从运动员的角度提供了20世纪中期体育大型赛事的个人证据。它提出了一些问题,如乡土摄影、家庭相册和剪贴簿在解释和理解体育文化史学方面的价值,以及视觉文化在多大程度上有助于理解战后时期的国际体育文化。本文对这些材料的使用提供了一些批判性和分析性的方法,质疑其原始制作和存档的动机,并认识到这些照片不是简单的过去的文件,具有毫无疑问的意义,而是取决于特定的“权威网络”,并对有争议的意义开放。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Snapshots of Empire Games Journeys: The Vernacular Photography of Peter Heatly and the 1950 Scotland Team
Sir Peter Heatly is a former Scottish diver who competed in three British Empire Games and one Olympic Games. On all his journeys to major competitions, he took personal photographs and kept published material and ephemera related to his trips, which were subsequently neatly stored in albums and scrapbooks, and, until 2018, were kept by his family when they deposited the personal archive to the University of Stirling. The vernacular photography of Heatly provides personal evidence of sport mega-events from the mid-twentieth century from an athlete’s perspective. It raises questions about the value of vernacular photography, family albums, and scrapbooks for interpreting and understanding the cultural historiography of sport and how much visual culture helps make sense of the cultures of international sport during the post-war period. The article provides some critical and analytical approaches to the use of such material, questioning the motivations for their original production and archiving, as well as recognizing such photographs are not simple documents of the past with unproblematic meanings but are contingent on specific “networks of authority” and open to contested meanings.
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来源期刊
CiteScore
0.30
自引率
33.30%
发文量
22
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