(错误)引导读者

IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY
Alicia Lambert
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引用次数: 0

摘要

本文探讨了巴鲁蒂和卡西奥-豪里的《六月情人》(2018)如何颠覆了与刚果有关的文学冒险比喻。通过研究其复杂的互文参考网络,包括有争议的《丁丁在刚果》,分析表明,这本图画小说误导读者,让他们以为这仅仅是一个有趣的冒险探索,而不是引导他们了解基于隔离和剥削的殖民制度的社会、经济、政治和历史后果。因此,Le Singe jaune为冒险漫画注入了新的活力,同时也颠覆了这一传统所强化的单边(新)殖民主义表现。它使读者能够接受刚果和比利时共同历史的不同观点,并敦促他们响应新的对话的呼吁。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
(Mis)Leading the Reader
Abstract This article examines how Baruti and Cassiau-Haurie's Le Singe jaune (2018) subverts the literary adventure tropes that have been associated with the Congo. By examining its complex network of intertextual references, including the controversial Tintin au Congo , the analysis demonstrates that this graphic novel misleads readers into expecting a mere entertaining adventure quest, while leading them instead to learn about the social, economic, political, and historical consequences of a colonial system based on segregation and exploitation. Le Singe jaune , therefore, breathes new life into adventure comics while also subverting the unilateral (neo)colonial representations this tradition has reinforced. It enables readers to embrace alternative perspectives on the common history of the Congo and Belgium and urges them to answer the call for a new dialogue.
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来源期刊
European Comic Art
European Comic Art HUMANITIES, MULTIDISCIPLINARY-
自引率
50.00%
发文量
8
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