女性对上帝的讽刺

IF 0.4 0 MEDIEVAL & RENAISSANCE STUDIES
Ludovico Battista
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引用次数: 0

摘要

在伊拉斯谟的作品《赞美Moriae》中,最激进、最神秘的演讲之一是由一个女性角色说出的,这并非偶然。本文的目的是质疑伊拉斯谟的文本,不仅仅是作为对传统秩序的悬吊和嘲笑的狂欢精神的结果,或者作为古代讽刺的文学模仿,而是作为一种原始类型的演讲的表达,从宗教的角度来看是严肃的,它提出自己作为“男性”神学哲学逻各斯的替代品,它嘲笑。《启示录》和《启示录》中关于世界价值观的灾难性反转的逻辑,被伊拉斯谟以奥利根主义的视角重新诠释为对宽恕所有人的巨大而“愚蠢”的神圣仁慈的启示。愚妄的言语因此既谴责又宽恕了人类罪恶的愚妄。本文将强调伊拉斯谟怀疑主义的腐蚀性和世俗化潜力,它严厉地解构了人类信仰和态度的教条性天真,被认为是罪恶,因此是愚蠢的;《愚蠢》讽刺地颂扬了世界的愚蠢,认为这是由上帝宽恕的母性、“女性化”和普遍的拥抱所救赎的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Feminine Irony of God
Abstract It is not by chance that one of the most radical and enigmatic speeches in Erasmus’ production—the Encomium Moriae —was pronounced by a female character: Folly. This paper aims at interrogating Erasmus’ text not simply as the result of a carnivalesque spirit of suspension and derision of traditional order, or as a literary imitation of ancient satire, but as the expression of an original type of speech, serious from a religious point of view, that proposes itself as the alternative of the ‘male’ theological-philosophical logos , which it mocks. The Pauline and apocalyptic logic of the catastrophic inversion of the world’s values is reinterpreted by Erasmus in an Origenian lens as the revelation of the immense yet ‘foolish’ divine mercy that forgives everyone. Folly’s speech thus both condemns and forgives the foolishness of human sin. This paper will highlight both the corrosive and secularising potential of Erasmus’ scepticism, which harshly deconstructs the dogmatic naivety of human beliefs and attitudes, conceived as sin and therefore as foolishness; and Folly’s ironic exaltation of the world’s foolishness as redeemed by the maternal, ‘feminine’ and universal embrace of God’s forgiveness.
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来源期刊
Erasmus Studies
Erasmus Studies MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.40
自引率
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发文量
12
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