vasyl stus诗歌词典中的福音派名字

H. I. Vivat, A. V. Lupol, O. I. Filipenko
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摘要

本文以瓦西尔·斯图斯的诗歌作品为基础,分析了其作品中福音派的假名,这些假名体现了原创性的意象,语言和表达手段的异常丰富,假名具有隐喻和象征意义。本文的目的是挑出瓦西里·斯图斯诗歌中的福音派名字,以证实这些名字在揭示他的世界观中具有特色的概念概念方面的重要作用。分析的重点是拟人,这代表了耶稣的形象在反思他的殉道者形象的背景下,犹大在他的反对正义。我们还注意到斯图斯诗意空间的onymia的象征意义。特别是,人们的注意力集中在殉难的象征上,通过地名各各他/各各他反复传达。在几乎所有的Stus上下文中,各各他/各各他并不是作为耶稣被处决的地方的名字出现的,而是在一种比喻的意义上——作为一个高目标名义下的痛苦和死亡的象征。分析也旨在系统化,建立动态的使用和突出福音派的诗人的作品的onymia。因此,本文的对象是Vasyl Stus的独特风格,主体是诗人作品中匿名空间的结构,这是基于福音派的形象。为了获得可靠的数据,在工作中使用了描述,归纳和演绎,定量计算以及成分和上下文解释方法。这项工作的结果是全面证实了诗人独特风格中匿名成分的重要性,并确定了他在与圣经主题相关的作品中使用的优先专有名称。结论:Vasyl Stus作品中专有名称的主要类别集中在作者基于福音母题的拟声词的拟人部分和地名部分。在Vasyl Stus的诗歌文本中,圣经圈中最常见的名字是专有名称,其来源是福音。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
EVANGELICAL NAMES IN THE POETIC LEXICON OF VASYL STUS
The article analyzes evangelical onymia in the work of Vasyl Stus on the basis of his poetic works, which reflect original imagery, an unusual richness of language and expressive means, the seediness of onymes that carry a metaphorical-symbolic meaning. The purpose of the article is to single out evangelical names in the poetry of Vasyl Stus, to confirm the important role of those names in revealing the characteristic conceptual concepts of his worldview. The analysis is focused on anthroponymy, which represents the images of Christ in the context of reflections on his martyr figure, and Judas in his opposition to the righteous. Attention is also drawn to the symbolic aspects of the onymia of Stus’s poetic space. In particular, the attention is focused on the symbol of martyrdom, repeatedly conveyed through the toponym Golgotha / Golgotha. In almost all Stus contexts, Golgotha / Calvary does not appear as the name of the place of Jesus’ execution, but in a figurative sense - as a symbol of suffering and death in the name of a high goal. The analysis is also aimed at systematization, establishing the dynamics of usage and highlighting the evangelical onymia in the poet’s work. Accordingly, the object of the proposed article was the idiostyle of Vasyl Stus, the subject – the structure of the anonymous space of the poet’s works, which was based on evangelical images. To obtain reliable data, the methods of description, induction and deduction, quantitative calculations, as well as component and contextual-interpretive methods are used in the work. The result of the work was a comprehensive substantiation of the importance of the anonymous component in the poet’s idiostyle and the identification of priority proper names used in his works related to biblical themes. Conclusions: the main categories of proper names in the work of Vasyl Stus are concentrated in the anthroponymic and toponymic segment of the author’s onomatopoeia, which was based on evangelical motifs. The most frequent onyms of the biblical circle in the poetic texts of Vasyl Stus are proper names, the source of which was the Gospel.
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