博物馆、记忆和想象:当代艺术作品中过去的犹太人家园

IF 0.7 3区 哲学 Q1 HISTORY
Jeffrey Shandler
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引用次数: 0

摘要

摘要:博物馆提供了与过去犹太人家庭生活的重要接触。最具挑衅性的相遇出现在克里斯蒂安·博尔坦斯基、西蒙·藤原、迈拉·卡尔曼和亚历克斯·卡尔曼、伊莱恩·雷切克、艾伦·罗森伯格、萨拉-曼卡集团和玛雅·扎克的当代艺术装置中,这些装置以不同的方式唤起、召唤或质疑过去犹太人的家庭生活。与历史住宅或为历史或人种学展览而进行的再创作不同,这些艺术品在博物馆里完全是“在家”的,在那里它们同时呈现和质疑犹太人家庭生活的概念。这种对艺术品的关注超越了大多数历史学家对犹太家庭研究的主要焦点,这些研究考察了过去时代实际房屋的社会和文化背景,或者各个领域的学者将犹太家庭实践作为集体身份的表达进行了探索。这些艺术品仔细审视了犹太人“宾至如归”的感觉意味着什么,并揭示了想象是如何作为记忆场所再现过去犹太人的家庭生活的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Museums, Memory, And The Imaginary: Jewish Homes Of The Past In Contemporary Artworks
Abstract: Museums provide prominent encounters with past Jewish domesticity. The most provocative encounters appear in contemporary art installations by Christian Boltanski, Simon Fujiwara, Maira Kalman and Alex Kalman, Elaine Reichek, Ellen Rothenberg, the Sala-Manca Group, and Maya Zack that variously evoke, conjure, or problematize Jewish home life in former times. Unlike historic residences or re-creations staged for historical or ethnographic exhibitions, these artworks are entirely “at home” in the museum, where they simultaneously present and interrogate notions of Jewish domesticity. This attention to artworks looks beyond the primary focus of most historians’ studies of Jewish homes, which examine the social and cultural contexts of actual houses of a bygone era, or the work of scholars in various fields who explore Jewish domestic practices as expressions of a collective identity. The artworks in question scrutinize what it has meant for Jews to feel “at home” and reveal how the imagination figures in representations of bygone Jewish domestic life as memory sites.
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CiteScore
0.60
自引率
25.00%
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