“在安息日,日日夜夜,每个人在他们的桌子上唱歌”:论中世纪欧洲唱安息日的习俗的形成

IF 0.7 3区 哲学 Q1 HISTORY
Albert Evan Kohn
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引用次数: 0

摘要

摘要:本文追溯了中世纪欧洲在安息日用餐时唱桌子歌的习俗的发展。虽然这是一种流行的习俗,但它的中世纪形成尚未得到学术界的关注。非正式的安息日餐桌歌唱可能已经普遍了几个世纪,然而现存最早的关于唱特定歌曲的指示是在13世纪的法国北部写的,此后不久就出现在阿什肯纳兹和意大利。许多包含安息日祭天礼的手稿揭示了这个习俗在这些地区的传播、发展和流行。虽然有文字记载,但安息日和他们的曲调主要是通过家庭在家里唱歌口头传播的。这种口头形式鼓励了习俗执行方式的灵活性和多样性。这些歌曲在16世纪印刷出来后,一种更为严格的实践结构和保留曲目就形成了。包括作为附录的手稿清单,其中包括安息日祭日和最常见的歌曲表。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“To Sing on Shabbat, Night and Day, Each Person at Their Table”: On the Formation of the Custom of Singing Shabbat Zemirot in Medieval Europe
Abstract: This essay traces the development of the custom of singing table songs known as Shabbat zemirot during Shabbat meals in medieval Europe. Though a popular custom, its medieval formation has yet to receive scholarly attention. Informal Shabbat table singing was likely common for centuries, yet the earliest extant instructions to sing specific songs were written in thirteenth-century northern France and appeared shortly thereafter in Ashkenaz and Italy. The many manuscripts containing Shabbat zemirot reveal the custom's spread, growth, and popularity in these regions. Though preserved in writing, Shabbat zemirot and their tunes were primarily disseminated orally by families singing within their homes. Such orality encouraged flexibility and diversity in how the custom was performed. Once the songs were printed in the sixteenth century, a more rigid construction of the practice and its repertoire took shape. Included as appendices are lists of manuscripts containing Shabbat zemirot and tables of the most common songs.
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CiteScore
0.60
自引率
25.00%
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