黑暗的肖像:约翰·布里顿对约翰·索恩的谴责

IF 0.1 2区 历史学 0 ARCHITECTURE
Brian Lukacher
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引用次数: 0

摘要

本文介绍了迄今为止被忽视的美国瓦萨学院有关建筑师约翰·索恩(1753-1837)的性格和声誉的文件。古物学家和地形学家约翰·布里顿(1771-1857)是索恩一生的朋友和伙伴,他计划写一本“全盘托出”的传记,在这本传记中,他将揭示这位建筑师的恶意本质,以及他对回忆和崇拜的痴迷,从而产生了令人反感的效果。布里顿意图揭露的范围和目的是通过笔记和信件来确定的,这些笔记和信件描述了在索恩的轨道上的建筑师、作家、员工和家庭成员的不满的小气候。布里顿的另一份手稿,讽刺了他对索恩和建筑师的住宅博物馆的热爱,也被分析了。在这个过程中,文章提出了建筑新闻在塑造维多利亚时代早期伦敦建筑师的声誉及其私人和公共角色方面的作用。它还考虑了在有争议的索恩评价中,气质与建筑发明和历史排列的关系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Dark Portrait: John Britton’s Denunciation of John Soane
ABSTRACT This article presents hitherto overlooked documents at Vassar College in the United States relating to the character and reputation of the architect John Soane (1753–1837). The antiquarian and topographic author John Britton (1771–1857), a lifelong friend and associate of Soane, planned to write a ’tell-all’ biography in which he would reveal the malicious nature of the architect, and his obsession with remembrance and veneration, to scandalous effect. The scope and purpose of Britton’s intended exposé are established here through notes and correspondences that describe the resentful microclimate of the architects, writers, employees and family members in Soane’s orbit. A further manuscript by Britton, which satirises his devotion to Soane and the architect’s house museum, is also analysed. In the process, the article broaches the role of architectural journalism in fashioning the reputations of architects and their private and public personas in early Victorian London. It also considers the relationship of temperament to architectural invention and historiographic permutations in the controversial appraisal of Soane.
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来源期刊
CiteScore
0.30
自引率
25.00%
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0
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