济慈诗歌中的崇高:与布莱克和拜伦的比较研究

Dr Pankaj Kumar Singh
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引用次数: 0

摘要

这一比较分析探讨了拜伦勋爵、威廉·布莱克和约翰·济慈诗歌中的崇高概念,为“发自内心”的演变提供了新的视角。这篇评论通过对每位艺术家个人作品的分析,解构了崇高的深刻和哲学基础,强调了艺术家们独特的方式来装饰崇高,唤起非凡的感情,促使存在主义反思,并挑战传统规范。济慈的异域情调和阴郁的崇高,布莱克的梦幻般的超凡脱俗,以及拜伦对崇高的不确定和蔑视的翻译,增强了“真诚”时期丰富的艺术作品。他们的作品以独特而明确的象征主义吸引着人们,并通过对自然、超凡脱俗和人类状况的复杂探索,继续影响着写作和工艺。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
THE SUBLIME IN KEATS' POETRY: A COMPARATIVE STUDY WITH BLAKE AND BYRON
This comparative analysis explores the concept of the sublime in the poetry of Lord Byron, William Blake, and John Keats, providing new perspectives within the Heartfelt evolution. The review deconstructs the profound and philosophical foundations of the sublime through an analysis of each artist's individual work, highlighting the artists' distinctive approaches to outfitting the sublime to evoke extraordinary feelings, prompt existential reflection, and defy conventional norms. The richly woven artwork of the Heartfelt period is enhanced by the exotic and gloomy sublime of Keats, the visionary otherworldliness of Blake, and the often uncertain and defiant translation of the sublime by Byron. Their works captivate with distinct and unmistakable symbolism and continue to influence writing and craftsmanship by providing a sophisticated exploration of nature, otherworldliness, and the human condition.
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