后殖民主义视角下苏珊·巴顿的声音与星期五的沉默<i>Foe</i>

Wannan Wang
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引用次数: 0

摘要

约翰·麦克斯韦尔·库切是一位杰出的作家,他的第一部小说《敌人》是对笛福的《鲁滨逊漂流记》的改写,在国内外获得了许多好评。库切赋予边缘女性主角的角色,她讲述了整个故事。然而,苏珊仍然作为星期五的殖民者存在,苏珊和星期五之间的关系是自我和“他者”。本文借助后殖民主义理论,通过对巴顿对星期五的矛盾态度的分析,探讨了《福》中苏珊的声音和星期五的沉默。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Susan Barton’s Voice and Friday’s Silence from the Perspective of Post-Colonialism in &lt;i&gt;Foe&lt;/i&gt;
John Maxwell Coetzee was an excellent writer, his first novel Foe, which is the rewriting of Defoe’s Robinson Crusoe, earns a lot of acclaim from home and abroad. Coetzee gives the marginal female the role of main character, who tells the whole story. However, Susan still exists as the colonizer to Friday and the relationship between Susan and Friday is self and “the other”. With the help of the post-colonialism theory, through the analysis of Barton’s ambivalent attitude towards Friday, this thesis manages to explore the Susan’s voices and Friday’s silence in Foe.
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