{"title":"这Nibelungenbuch”","authors":"Joachim Heinzle","doi":"10.3813/zfda-2023-0008","DOIUrl":null,"url":null,"abstract":"The contribution ties in with Joachim Bumke’s research on the ‘Nibelungenklage’. It attempts to make plausible that the ‘Nibelungenlied’ and the ‘Nibelungenklage’ were written as a genuine composite text (‘Nibelungenbuch’) within the framework of a project with which Bishop Wolfger of Passau wanted to provide his diocese with a prestigious heredity. The contribution also examines the significance of orality and writing in the initial phase of transmission.","PeriodicalId":43495,"journal":{"name":"ZEITSCHRIFT FUR DEUTSCHES ALTERTUM UND DEUTSCHE LITERATUR","volume":"46 1","pages":"0"},"PeriodicalIF":0.1000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Das ‘Nibelungenbuch’\",\"authors\":\"Joachim Heinzle\",\"doi\":\"10.3813/zfda-2023-0008\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The contribution ties in with Joachim Bumke’s research on the ‘Nibelungenklage’. It attempts to make plausible that the ‘Nibelungenlied’ and the ‘Nibelungenklage’ were written as a genuine composite text (‘Nibelungenbuch’) within the framework of a project with which Bishop Wolfger of Passau wanted to provide his diocese with a prestigious heredity. The contribution also examines the significance of orality and writing in the initial phase of transmission.\",\"PeriodicalId\":43495,\"journal\":{\"name\":\"ZEITSCHRIFT FUR DEUTSCHES ALTERTUM UND DEUTSCHE LITERATUR\",\"volume\":\"46 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2023-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ZEITSCHRIFT FUR DEUTSCHES ALTERTUM UND DEUTSCHE LITERATUR\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3813/zfda-2023-0008\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, GERMAN, DUTCH, SCANDINAVIAN\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ZEITSCHRIFT FUR DEUTSCHES ALTERTUM UND DEUTSCHE LITERATUR","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3813/zfda-2023-0008","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, GERMAN, DUTCH, SCANDINAVIAN","Score":null,"Total":0}
The contribution ties in with Joachim Bumke’s research on the ‘Nibelungenklage’. It attempts to make plausible that the ‘Nibelungenlied’ and the ‘Nibelungenklage’ were written as a genuine composite text (‘Nibelungenbuch’) within the framework of a project with which Bishop Wolfger of Passau wanted to provide his diocese with a prestigious heredity. The contribution also examines the significance of orality and writing in the initial phase of transmission.