{"title":"克里米亚战争时期俄罗斯文学中爱国主义的民族化:制度、日常民族主义与农民形象","authors":"Alexey Vdovin","doi":"10.1111/russ.12564","DOIUrl":null,"url":null,"abstract":"Abstract This article explores the issue of Russian imperial nationalism in the early phase of its formation, namely the nationalization of patriotism in literature during the Crimean War, 1853–56. Using historical studies and theories of nationalism, the author shows how and why an acute discourse of a nationalistic experience of community uniting the elite with the common people arose in St. Petersburg society, theater, and literature. Drawing on many published and archival materials, the article describes the institutions of escalating nationalism (thick journals, newspapers, the Maritime Ministry, theater, salons, and circles), everyday rituals (wearing “Russian” clothes), and the images of peasants, who in the fiction of Aleksei Potekhin, Aleksei Pisemskii, Ivan Gorbunov, Ivan Turgenev, and Dmitrii Grigorovich acted as bearers of authentic “Russianness.” The growing popularity of these writers’ texts can be explained by the fact that they demonstratively linked the psychology and subjectivity of peasant characters with their ethnic identity. Contrary to official propaganda that portrayed peasants as loyal to the tsar, faith, and Fatherland, the new representation satisfied the demand of the elite and socially diverse theater audience for images of unity within a single national community and compensated for the disappointment of defeats at the front.","PeriodicalId":83255,"journal":{"name":"The Russian review","volume":"40 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-09-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Nationalization of Patriotism in Russian Literature during the Crimean War: Institutions, Everyday Nationalism, and Images of Peasants\",\"authors\":\"Alexey Vdovin\",\"doi\":\"10.1111/russ.12564\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract This article explores the issue of Russian imperial nationalism in the early phase of its formation, namely the nationalization of patriotism in literature during the Crimean War, 1853–56. Using historical studies and theories of nationalism, the author shows how and why an acute discourse of a nationalistic experience of community uniting the elite with the common people arose in St. Petersburg society, theater, and literature. Drawing on many published and archival materials, the article describes the institutions of escalating nationalism (thick journals, newspapers, the Maritime Ministry, theater, salons, and circles), everyday rituals (wearing “Russian” clothes), and the images of peasants, who in the fiction of Aleksei Potekhin, Aleksei Pisemskii, Ivan Gorbunov, Ivan Turgenev, and Dmitrii Grigorovich acted as bearers of authentic “Russianness.” The growing popularity of these writers’ texts can be explained by the fact that they demonstratively linked the psychology and subjectivity of peasant characters with their ethnic identity. Contrary to official propaganda that portrayed peasants as loyal to the tsar, faith, and Fatherland, the new representation satisfied the demand of the elite and socially diverse theater audience for images of unity within a single national community and compensated for the disappointment of defeats at the front.\",\"PeriodicalId\":83255,\"journal\":{\"name\":\"The Russian review\",\"volume\":\"40 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-09-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Russian review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1111/russ.12564\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Russian review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1111/russ.12564","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The Nationalization of Patriotism in Russian Literature during the Crimean War: Institutions, Everyday Nationalism, and Images of Peasants
Abstract This article explores the issue of Russian imperial nationalism in the early phase of its formation, namely the nationalization of patriotism in literature during the Crimean War, 1853–56. Using historical studies and theories of nationalism, the author shows how and why an acute discourse of a nationalistic experience of community uniting the elite with the common people arose in St. Petersburg society, theater, and literature. Drawing on many published and archival materials, the article describes the institutions of escalating nationalism (thick journals, newspapers, the Maritime Ministry, theater, salons, and circles), everyday rituals (wearing “Russian” clothes), and the images of peasants, who in the fiction of Aleksei Potekhin, Aleksei Pisemskii, Ivan Gorbunov, Ivan Turgenev, and Dmitrii Grigorovich acted as bearers of authentic “Russianness.” The growing popularity of these writers’ texts can be explained by the fact that they demonstratively linked the psychology and subjectivity of peasant characters with their ethnic identity. Contrary to official propaganda that portrayed peasants as loyal to the tsar, faith, and Fatherland, the new representation satisfied the demand of the elite and socially diverse theater audience for images of unity within a single national community and compensated for the disappointment of defeats at the front.