屠格涅夫短篇小说《叶尔古诺夫中尉的故事》中的感知空间

IF 0.6 Q3 COMMUNICATION
Huixin Ji
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引用次数: 0

摘要

本文首次对屠格涅夫短篇小说《叶古诺夫中尉的故事》中的感知意象系统进行了研究。这项研究的科学新颖性在于它的主题——对感知空间结构的分析,其中包括所有类型的“生理”空间(P. A. Florensky):视觉、听觉、嗅觉、触觉、味觉。本研究的目的是为了显示感知形象对人物(感知主体)和叙述者(表达主体)的观点的依赖性。为了符合既定的目的,作者特别关注了阈限空间,即对主人公从清醒到睡眠和谵妄过渡状态的描述。研究发现,屠格涅夫有意地创造了一种关于感知在外部环境影响下的转变的艺术叙事:他展示了视觉和听觉的剥夺如何实现了其他形式的感官感知-嗅觉和触觉。因此,作者在19世纪60年代熟悉了h·冯·亥姆霍兹(H. von Helmholtz)和i·m·谢切诺夫(I. M. Sechenov)的作品,将这部被研究人员称为“神秘主义”的短篇小说作为对人类心理生理学描述的艺术版本呈现出来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Perceptual space in the short story “Lieutenant Yergunov’s Story” by I. S. Turgenev
The paper is the first to examine the system of perceptual imagery in I. S. Turgenev’s short story “Lieutenant Yergunov’s Story”. The scientific novelty of the research is accounted for by its subject – the analysis of the structure of perceptual space, which includes all types of “physiological” (P. A. Florensky) spaces: visual, acoustic, olfactory, tactile, gustatory. The aim of the research is to show the dependence of the perceptual image on the point of view of the character (subject of perception) and the narrator (subject of expression). In accordance with the stated aim, special attention was paid to liminal space, the description of the state of the protagonist’s transition from wakefulness to sleep and delirium. As a result of the research, it has been found that I. S. Turgenev purposefully creates an artistic narrative about the transformation of perception under the influence of the external environment: he shows how the deprivation of visual and acoustic sensations actualizes other forms of sensory perception – smell and touch. Thus, the short story, to which researchers tend to refer as “mystical”, is presented as an artistic version of the description of human psychophysiology, as a response to the works of H. von Helmholtz and I. M. Sechenov, with which the writer became acquainted in the 1860s.
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