即兴的错误

IF 0.7 1区 艺术学 0 ART
Matteo Ravasio
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引用次数: 0

摘要

摘要本文讨论了即兴音乐表演中出现的失误。我首先提出了一些区别,这些区别有助于理解这类错误的不同性质。特别是,我认为区分那些依赖于音乐形式特征的错误和那些由于演奏者意图的失败而导致的错误是很重要的。在后一种情况下,我认为区分两个不同的性能意图层是有用的。随后,我讨论了这样一个观点,即在即兴表演中,错误不仅是可以容忍的,而且在某种意义上是有价值的,这表明我所提出的区别如何能够揭示这些问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Improvisational mistakes
Abstract This paper discusses mistakes that occur in improvised musical performance. I first develop a couple of distinctions that are useful to understand the varied nature of such mistakes. Particularly, I think that it is important to distinguish mistakes that depend upon formal features of the music, and mistakes that are such in virtue of a failure of the performer’s intentions. Within this latter category, I argue that it is useful to distinguish between two different layers of performance intentions. Subsequently, I discuss the idea that, in improvised performance, mistakes are not merely tolerated but are, in some sense, valuable, showing how the distinction I develop can shed some light on these issues.
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来源期刊
CiteScore
1.60
自引率
37.50%
发文量
45
期刊介绍: Founded in 1960, the British Journal of Aesthetics is highly regarded as an international forum for debate in philosophical aesthetics and the philosophy of art. The Journal is published to promote the study and discussion of philosophical questions about aesthetic experience and the arts. Appearing quarterly - in January, April, July, and October - it publishes lively and thoughtful articles on a broad range of topics from the nature of aesthetic judgement and the principles of art criticism to foundational issues concerning the visual arts, literature, music, dance, film, and architecture.
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