“悲伤成了我的朋友,我的工作。”——玛丽·托德·林肯在琳安·豪的《野蛮对话》中与记忆的不安结合(2019)

Stefanie Schäfer
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摘要

这篇文章通过对玛丽·托德·林肯的当代虚构表现来研究赋予第一夫人角色的服务政治和她的情感劳动。在《野蛮对话》(2019)中,莉安·豪思考了涉及美国民族记忆、白人女性和定居者殖民暴力的问题。该剧想象了19世纪70年代林肯在贝尔维尤精神病院的精神错乱情节,正如林肯告诉她的医生的那样,一个“印第安人”每晚都来探望她,剥去她的头皮,用电线把她的眼皮打开。通过概述玛丽作为一个有爱心的寡妇的表现,以及她为自己的公共服务要求补偿的请愿,豪揭示了玛丽在林肯总统任期内与定居者暴力的同谋。该剧重新调整了玛丽的角色所固有的哀悼、母性和精神错乱叙事中对(公共)服务的性别演绎,并展示了关怀叙事的另一面,将漫长的19世纪与当今的第一夫人角色联系起来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“Grief became my friend, my work:” Mary Todd Lincoln’s Uneasy Union with Memory in LeAnne Howe’s SAVAGE CONVERSATIONS (2019)
This essay examines the politics of service vested in the First Lady role and her affective labors by turning to a contemporary fictional representation of Mary Todd Lincoln. In Savage Conversations (2019), LeAnne Howe considers issues involving US national memory, White womanhood, and settler colonial violence. The play imagines Lincoln’s insanity episode in the Bellevue asylum in the 1870s, where, as Lincoln told her doctor, an “Indian” visited her every night, scalping her and wiring her eyelids open. By outlining Mary’s performance of caring widow and her petitioning for compensation for her public service, Howe reveals Mary’s complicity in the Lincoln presidency’s settler violence. The play recalibrates the gendered renditions of (public) service inherent to the narratives of mourning, motherhood, and insanity tied to Mary’s persona and shows the flip side of the care narrative, connecting the long 19th century to the First Lady persona of the present.
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