在现场音乐中做大:对现场音乐职业的多层次分析

IF 1.7 2区 社会学 Q1 CULTURAL STUDIES
Rick Everts
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引用次数: 0

摘要

本文利用荷兰现场音乐行业中214位早期流行音乐艺人在八年间的职业生涯数据集,绘制了早期职业艺人现场演出数量和他们收到的费用的趋势图。此外,它还调查了可能解释现场音乐成功的因素。描述性统计表明,少数艺人设法进行了大量的演出,并获得了高额的费用。然而,大多数艺人每年只能以相对较低的费用演出几场,这表明了赢者通吃的市场机制。多层次分析表明,评论性认知度和大众认知度与演出次数呈正相关。此外,厂牌和经纪人代表以及参加流行音乐学院对现场音乐的成功有积极的影响,增加了我们对现场音乐产业结构动态的概念化的见解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Making it big in live music: a multilevel analysis of careers in live music
Drawing on a dataset following the careers of 214 early-career popular music acts in the Dutch live music industry over a period of eight years, this paper maps trends in the number of live shows early-career acts play and the fees they receive. In addition, it investigates factors that may explain success in live music. Descriptive statistics indicate that a small number of acts manage to perform a lot of shows and receive high fees. However, most acts are only able to play a few shows per year for a relatively low fee, indicating a winner-takes-all market mechanism. A multilevel analysis showed that critical recognition and popular recognition are positively related to the number of shows acts performed. Furthermore, label and booker representation and attending a pop academy has a positive effect on success in live music, adding insights to our conceptualization of the structural dynamics of live music industries.
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来源期刊
Cultural Trends
Cultural Trends Multiple-
CiteScore
5.90
自引率
16.10%
发文量
36
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