“希望总是存在的”——特里·利本森(Terri Libenson)的采访

Vera J. Camden, Valentino L. Zullo
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引用次数: 0

摘要

2023年夏天,我们采访了《纽约时报》畅销书《睡衣日记》和《艾米和朋友》系列的作者特里·利本森。她和我们分享了她早期对漫画的兴趣,她的漫画创作之旅,以及作为漫画创作者和中级漫画家,她的读者的不同。我们一起思考是什么让这种形式能够很好地处理创伤经历既具有创造性又具有治疗性。我们还讨论了她的创作过程,她目前正在读的书,我们也听到了一些关于她即将开始的工作以及她在她的系列中仍然想要做的事情。关键词:女孩初中治疗心理学思想泡沫披露声明作者未报告潜在利益冲突。有关PJ Library的更多信息,请参见pjlibrary.org.2。詹姆斯·埃利斯,《j·k·罗琳如何创造了哈利·波特》,刊于《新闻周刊》特别版,《哈利·波特的魔法世界》,10月16日,Citation2016, https://www.newsweek.com/how-jk-rowling-created-harry-potter-5100423。奥斯汀在萨默塞特宫皇家学院参加约书亚·雷诺兹爵士的画展时也玩了同样的游戏。“夫人。达西又一次变得难以捉摸。失望的奥斯汀对卡桑德拉说:“我只能想象,如果d先生把她的任何一张照片都放在公众面前,他肯定不会喜欢。”她相信,达西对伊丽莎白一定会怀着一种“爱慕、骄傲和体贴”的感情。梅雷迪思·辛德雷(Meredith Hindley),《神秘的奥斯汀小姐》(The mystery Miss Austen),人文学科,第34卷,no。1 (Citation2013), https://www.neh.gov/humanities/2013/januaryfebruary/feature/the-mysterious-miss-austen4。参见薇拉·j·卡姆登,《当代漫画中的思想泡沫及其变迁》,《美国意象》第77期。3 (Citation2020): 603-638.5。希拉里·楚特和帕特里克·雅戈达主编。,《漫画与媒体》,《批判性探究》第40期,第2期。3 (Citation2014)。6。卡姆登,维拉·J·和瓦伦蒂诺·l·祖洛。“‘我不知道如何处理经历,除非我把它们放进漫画里’:对Raina Telgemeier的采访。”图形小说与漫画杂志(Citation2023): 1-22。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“There’s always that hope”: an interview with Terri Libenson
ABSTRACTIn Summer 2023, we sat down with Terri Libenson, New York Times bestselling author of The Pajama Diaries and the Emmie and Friends series. She shared with us a bit about her early interest in comics, her journey into comics-making, and the difference in her readers as a comic strip creator, and a middle-grade cartoonist. Together we think about what it is about the form that lends itself so well to processing traumatic experiences in a way that can be both creative and therapeutic. We also discussed her process, what she’s currently reading, and we hear a little about her upcoming work and what she still wants to do in her series.KEYWORDS: Girlsmiddle-gradetherapypsychologythought bubble Disclosure statementNo potential conflict of interest was reported by the authors.Notes1. For more about PJ Library, see pjlibrary.org.2. James Ellis, ‘How J.K. Rowling Created Harry Potter,’ in Newsweek Special Edition, The Wizarding World of Harry Potter, October 16, Citation2016, https://www.newsweek.com/how-jk-rowling-created-harry-potter-5100423. Austen played the same game when she attended an exhibition of paintings by Sir Joshua Reynolds at the Royal Academy at Somerset House. ‘Mrs. Darcy’ once again proved elusive. A disappointed Austen told Cassandra that ‘I can only imagine that Mr D. prizes any Picture of her too much to like it should it be exposed to the public eye.’ Darcy, she believed, would regard Elizabeth with a mixture of ‘Love, Pride & Delicacy.’ Meredith Hindley, ‘The Mysterious Miss Austen,’ Humanities 34, no. 1 (Citation2013), https://www.neh.gov/humanities/2013/januaryfebruary/feature/the-mysterious-miss-austen4. See Vera J. Camden, ‘The thought bubble and its vicissitudes in contemporary comics,’ American Imago 77, no. 3 (Citation2020): 603–638.5. Hillary Chute and Patrick Jagoda, eds., ‘Comics & Media,’ Critical Inquiry 40, no. 3 (Citation2014).6. Camden, Vera J., and Valentino L. Zullo. “‘I don’t know how to process experiences unless I put them into comics’: an interview with Raina Telgemeier.” Journal of Graphic Novels and Comics (Citation2023): 1-22.
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