学院派文论:意向性与对稳定意义的渴望

IF 0.4 2区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES
Alastair Minnis
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引用次数: 0

摘要

经院意旨主义是一件复杂而难以前后一致的事情。神学家们寻求的原则是,《圣经》作者的意图可以在其文本的字面意义上找到。但圣经的最终作者,上帝,可能已经写下了超越灵感的真理,但仅仅是人类作者的意图。也许文本的意图并没有受到其构成的时间和历史环境的限制?此外,学术辩论基于这样的假设,即真理是通过激烈的对抗出现的。在实践中,引文是从完整的上下文中摘取的,以确保其含义并传达作者的意图;这些孤立的节选本身被视为有足够的权威来推进论点。这段历史与当今关于如何实施美国宪法(现代权威文本)的争议有关。学院派文学理论与宪法解释的“原旨主义”理论之间有着惊人的相似之处和交叉点;他们有着共同的意向性语言,同时也存在着解释上的困难。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Scholastic Literary Theory: Intentionalism and the Desire for Stable Sense
Scholastic intentionalism was a complicated and hardly consistent affair. Theologians sought security of meaning in the principle that a biblical author's intention could be found in the literal sense of his text. But the ultimate author of scripture, God, could have inscribed truths that transcended the intentions of inspired but merely human authors. Perhaps a text's intention was not curtailed by the temporal and historical circumstances of its composition? Further, scholastic debate rested on the assumption that truth emerges through vigorous confrontation. In practice, quotations were plucked from the full contexts that secured their meaning and conveyed authorial intention; those isolated excerpts were themselves treated as having sufficient authority to advance arguments. This history is related to present-day controversy about how the American Constitution (that modern authoritative text par excellence) should be implemented. There are striking parallels and intersections between scholastic literary theory and the “originalist” theory of constitutional interpretation; they share a common language of intentionalism, along with difficulties of interpretation.
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来源期刊
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.70
自引率
0.00%
发文量
27
期刊介绍: The Journal of Medieval and Early Modern Studies publishes articles informed by historical inquiry and alert to issues raised by contemporary theoretical debate. The journal fosters rigorous investigation of historiographical representations of European and western Asian cultural forms from late antiquity to the seventeenth century. Its topics include art, literature, theater, music, philosophy, theology, and history, and it embraces material objects as well as texts; women as well as men; merchants, workers, and audiences as well as patrons; Jews and Muslims as well as Christians.
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