唯美主义

IF 0.8 4区社会学 Q3 CULTURAL STUDIES

Differences-A Journal of Feminist Cultural Studies Pub Date : 2023-05-01 DOI:10.1215/10407391-10435464

John David Rhodes

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引用次数: 0

摘要

这篇文章考虑了贝尔萨尼和杜图瓦在他们对皮尔·保罗·帕索里尼的电影Salò的文章“Merde Alors”中对被动性和美学的结合。被动性是艺术作品生产的关键策略，也是理解审美本身模式的关键。被动性的问题出现在贝尔萨尼作品的其他地方，在贝尔萨尼职业生涯的关键时刻，《孤独》(或全部或部分)被重新出版。这篇文章试图解释为什么《Merde Alors》会有如此有趣和多产的来生。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Aestheticism

This essay considers Bersani and Dutoit’s alignment of passivity and the aesthetic in “Merde Alors,” their essay on Pier Paolo Pasolini’s film Salò. Passivity is a key strategy for the production of works of art and is key to understanding the mode of the aesthetic itself. The question of passivity appears elsewhere in Bersani’s work, and “Merde Alors”—in whole or in part—was republished at key moments in Bersani’s career. This essay gestures toward why “Merde Alors” has had such an interesting and prolific afterlife.

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来源期刊

Differences-A Journal of Feminist Cultural Studies Multiple-

CiteScore

0.60

自引率

0.00%

发文量

期刊介绍： differences: A Journal of Feminist Cultural Studies first appeared in 1989 at the moment of a critical encounter—a head-on collision, one might say—of theories of difference (primarily Continental) and the politics of diversity (primarily American). In the ensuing years, the journal has established a critical forum where the problematic of differences is explored in texts ranging from the literary and the visual to the political and social. differences highlights theoretical debates across the disciplines that address the ways concepts and categories of difference—notably but not exclusively gender—operate within culture.