"我们所享受的,不过是承认的时刻。"(2015年)

Pub Date : 2023-03-30 DOI:10.1515/slaw-2023-0006
Laurent Cassagnau
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引用次数: 0

摘要

安妮·塞德尔(Anne Seidel, 1988年出生于德累斯顿)的第一本诗集《Chlebnikov weint》(2015)不仅仅是一本她旅行的日记,无论是真实的还是想象的,穿越俄罗斯领土和俄罗斯文化,更广泛地说,是斯拉夫世界。它通过使用比喻的星座,使今天后苏联东欧的图像与斯大林或纳粹过去的图像发生碰撞,这可以与本雅明的辩证法图像进行比较。该系列的结构原则是差异和重复,循环和变化,存在和缺失,其辩证法创造了安妮·塞德尔所说的曼德尔štam之后的“(重新)认知的瞬间”。这就是为什么她把每首诗都定义为一种“缺席的形式”。这样,安妮·塞德尔就远离了所有的记忆项目,这些项目往往会在纪念的重压下压垮诗歌的对象。
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„kostbar ist uns nur der augenblick des erkennens“. Eine Einführung in Anne Seidels Chlebnikov weint (2015)
Summary Chlebnikov weint (2015), the first collection of poems by Anne Seidel (who was born in 1988 in Dresden), is more than a diary of her travels, be they real or imaginary, through the Russian territory and Russian culture and – more generally – the Slavic world. It causes images of today’s post-Soviet Eastern Europe to collide with images of the Stalinist or Nazi past through the use of figurative constellations which can be compared with Benjamin’s dialectic images. The collection is structured by the principle of differences and repetitions, of cycles and variations and of presence and absence whose dialectic creates what Anne Seidel calls “the instant of (re)cognition” after Mandelʹštam. That is why she defines every poem as a “form of absence”. That way, Anne Seidel keeps away from all memory projects which tend to crush the objects of poems under the weight of memorials.
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