{"title":"全德企业 GfM","authors":"Lars Klingberg","doi":"10.52412/mf.2023.h3.3095","DOIUrl":null,"url":null,"abstract":"
 
 
 The “Gesellschaft für Musikforschung” (GfM) was, from its foundation until 1968, the professional representation of musicologists in all German occupation zones and of both German states. Since the establishment of the branch office in Leipzig (1954), the GfM was politically instrumentalized by the GDR party and state apparatus as well as by musicologists loyal to the SED. The most important goal was the creation of two sections representing East and West Germany respectively; alternatively, the foundation of a separate musicological society in the GDR was prepared. These efforts were intensified after the construction of the Berlin Wall (1961). A central role was played by Karl Laux, the director of the Dresden Music Academy, and a personal friend of GfM president Friedrich Blume. Following a decision of the Secretariat of the Central Committee of the SED on April 5, 1967, the GfM finally had to end its activities in the GDR in September 1968, and East-German musicologists joined the “Verband Deutscher Komponisten”.
 
 
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 The “Gesellschaft für Musikforschung” (GfM) was, from its foundation until 1968, the professional representation of musicologists in all German occupation zones and of both German states. Since the establishment of the branch office in Leipzig (1954), the GfM was politically instrumentalized by the GDR party and state apparatus as well as by musicologists loyal to the SED. The most important goal was the creation of two sections representing East and West Germany respectively; alternatively, the foundation of a separate musicological society in the GDR was prepared. These efforts were intensified after the construction of the Berlin Wall (1961). A central role was played by Karl Laux, the director of the Dresden Music Academy, and a personal friend of GfM president Friedrich Blume. Following a decision of the Secretariat of the Central Committee of the SED on April 5, 1967, the GfM finally had to end its activities in the GDR in September 1968, and East-German musicologists joined the “Verband Deutscher Komponisten”.
 
 
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引用次数: 0
摘要
& # x0D;& # x0D;& # x0D;“德国音乐协会”(Gesellschaft fr Musikforschung,简称GfM)从成立到1968年,一直是德国所有占领区和德国两个州音乐学家的专业代表。自1954年在莱比锡成立分支机构以来,GfM在政治上被德意志民主共和国党和国家机器以及忠于SED的音乐学家所利用。最重要的目标是创建两个部分,分别代表东德和西德;另一种选择是,在德意志民主共和国建立一个独立的音乐学会。这些努力在柏林墙(1961年)建成后得到加强。德累斯顿音乐学院(Dresden Music Academy)院长卡尔•劳克斯(Karl Laux)扮演了核心角色,他是德累斯顿音乐学院院长弗里德里希•布鲁姆(Friedrich Blume)的私人朋友。1967年4月5日,东德中央委员会秘书处作出决定,GfM最终不得不在1968年9月结束在民主德国的活动,东德音乐学家加入了“德国音乐协会”(Verband Deutscher Komponisten)。& # x0D;& # x0D;
The “Gesellschaft für Musikforschung” (GfM) was, from its foundation until 1968, the professional representation of musicologists in all German occupation zones and of both German states. Since the establishment of the branch office in Leipzig (1954), the GfM was politically instrumentalized by the GDR party and state apparatus as well as by musicologists loyal to the SED. The most important goal was the creation of two sections representing East and West Germany respectively; alternatively, the foundation of a separate musicological society in the GDR was prepared. These efforts were intensified after the construction of the Berlin Wall (1961). A central role was played by Karl Laux, the director of the Dresden Music Academy, and a personal friend of GfM president Friedrich Blume. Following a decision of the Secretariat of the Central Committee of the SED on April 5, 1967, the GfM finally had to end its activities in the GDR in September 1968, and East-German musicologists joined the “Verband Deutscher Komponisten”.