令人不安的德国记忆文化:档案在娜塔莎·沃丁的《玛丽乌波尔》中的作用

IF 0.5 4区 文学 0 LITERATURE, GERMAN, DUTCH, SCANDINAVIAN
Friederike Eigler
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引用次数: 0

摘要

在《我是玛丽乌波尔》(2017)中,娜塔莎·沃丁重建了她的乌克兰家族史,特别关注她母亲在纳粹德国作为强迫劳工的经历,以及战后德国持续歧视的衰弱影响。沃丁强有力的叙述将人们的注意力吸引到一个受创伤的女人身上,她短暂的一生恰逢二十世纪乌克兰、俄罗斯和德国历史上的暴力动荡。基于记忆研究的方法和档案转向,本文认为几个档案在这个自虚构文本中发挥了核心作用:马里乌波尔的城市档案馆,记录和抵消了城市在20世纪和21世纪的反复破坏,收集了乌克兰和俄罗斯的家庭文件,主要通过在线搜索找到,以及详细介绍二战期间德国强迫劳动的档案。关于强迫劳动的档案促使我们思考伴随纳粹德国受害者的公开纪念活动而来的那种遗忘。总的来说,《玛丽乌波尔》体现了文学的作用,特别是后一代的自虚构文本,在介入集体记忆的话语中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Unsettling German Memory Culture: The Role of Archives in Natascha Wodin’s Sie kam aus Mariupol
In Sie kam aus Mariupol (2017), Natascha Wodin reconstructs her Ukrainian family history with special focus on her mother’s experience as a forced labourer in Nazi Germany and the debilitating effects of continued discrimination in postwar Germany. Wodin’s powerful narrative draws attention to a traumatized woman whose short life coincided with violent upheavals in twentieth-century Ukrainian, Russian, and German history. Based on approaches in memory studies and the archival turn, this article argues that several archives play a central role in this autofictional text: an urban archive of Mariupol that both documents and counteracts the repeated destruction of the city over the course of the twentieth and twenty-first centuries, a collection of familial documents from Ukraine and Russia located primarily through online searches, and an archive that details the role of forced labour in Germany during the Second World War. The archive on forced labour challenges us to contemplate the kind of forgetting that has accompanied the public commemoration of the victims of Nazi Germany. Overall, Sie kam aus Mariupol exemplifies the role of literature, in particular autofictional texts of the postgeneration, in intervening in discourses on collective memory.
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来源期刊
SEMINAR-A JOURNAL OF GERMANIC STUDIES
SEMINAR-A JOURNAL OF GERMANIC STUDIES LITERATURE, GERMAN, DUTCH, SCANDINAVIAN-
CiteScore
0.10
自引率
0.00%
发文量
29
期刊介绍: The first issue of Seminar appeared in the Spring of 1965, sponsored jointly by the Canadian Association of University Teachers of German (CAUTG) and the German Section of the Australasian Universities Language and Literature Association (AULLA). This collaborative sponsorship has continued to the present day, with the Journal essentially a Canadian scholarly journal, its Editors all Canadian, likewise its publisher, and managerial and editorial decisions taken by the Editor and/or the Canadian Editorial Committee,the Australasian Associate Editor being responsible for the selection of articles submitted from that area.
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