奴隶制、集体记忆和城市景观:利物浦威廉·赫斯基森雕像的兴衰兴衰

IF 0.5 1区 历史学 Q1 HISTORY
Richard Millington
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引用次数: 0

摘要

摘要:1982年,利物浦的居民把威廉·赫斯基森的雕像从基座上拉了下来。今天,现场的一块牌匾上写着,雕像是被“被赫斯基森支持奴隶制的角色所冒犯的激进分子”移走的。然而,在不到一英里远的地方,人们发现赫斯基森的雕像重新竖立起来,没有提到奴隶制。这篇文章追溯了Huskisson雕像的兴衰和兴起的历史,以研究集体记忆如何塑造城市景观,并告知当地社区与之互动。它还反映了记忆冲突的本质和对过去未解决事件的处理。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Slavery, Collective Memory and the Urban Landscape: The Rise, Fall and Rise of Liverpool's Statue of William Huskisson
Abstract: In 1982, residents of Liverpool pulled a statue of William Huskisson from its plinth. Today, a plaque at the site states that the sculpture was removed by "activists offended at Huskisson's role in supporting slavery." Less than a mile away, however, one finds Huskisson's effigy, reerected, with no reference to slavery. This article traces the history of the rise, fall and rise of the Huskisson statue in order to examine how collective memory shapes the urban landscape and informs local communities' interaction with it. It also reflects on the nature of memory conflicts and the processing of unresolved events in the past.
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来源期刊
History & Memory
History & Memory HISTORY-
CiteScore
1.10
自引率
11.10%
发文量
1
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