#ActuallyAutistic社区和massari在Twitter上发表了自闭症言论

Hann Bingham Brunner
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引用次数: 0

摘要

本文考察了普遍存在的规范性话语如何显示身体和思想如何产生身份、知识和权力,以及残疾的身体和思想如何抵制和通过精神障碍。这项研究调查了西娅的电影《音乐》的预告片和电影上映后,#ActuallyAutistic标签的推文。我分析了自闭症推特用户对电影中反自闭症言论的回应方式,以及非自闭症推特用户对Sia的残疾歧视和辩护。研究结果表明,患有自闭症的Twitter用户如何在网上使用msamims来创造一种自闭症的修辞,并收回修辞。这种激进主义的成功可以从负面的电影评论中看到,这些评论引用了这部电影的残疾歧视,以及其他大众媒体对这部电影的拒绝。我认为,作为一个虚拟的、文本化的kairotic空间,Twitter帮助自闭症患者重新获得能动性,并提供了一个空间,让他们可以使用自闭症修辞学来集中自闭症的经历,创造一种自闭症的修辞学。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
#ActuallyAutistic community and métis autistic rhetoric on Twitter
This paper examines how pervading normative discourses show how able bodies and minds produce identity, knowledge, and power, and the ways that disabled bodyminds resist and through métis. This study examines tweets from the #ActuallyAutistic hashtag in the wake of the trailer and film release of Sia’s film Music. I analyze the ways that autistic Twitter users responded to the anti-autistic rhetorics of the film, as well as non-autistic Twitter users’ ableism and defense of Sia. Findings demonstrate how autistic Twitter users perform métis online to create an autistic rhetoric and reclaim rhetoricity. The success of this activism is seen through negative film reviews, which cite the film’s ableism, and other popular media rejections of the film. I argue that as a virtual and textual kairotic space, Twitter helps autistic people retake agency and provides a space to use métis rhetorics to center autistic experience and create an autistic rhetoric.
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