通过电影叙事挑战残疾和酷儿的贬值

Including Disability Pub Date : 2023-10-24 DOI:10.51357/id.vi3.247

Petra Anders

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引用次数: 0

摘要

迈克尔·埃克斯(Michael Akers)执导的电视剧《摩根》(Morgan, 2012)的主人公在一次自行车事故中截瘫后，被一个健全的男人所吸引。当摩根怀疑自己是否还能再做爱时，他直截了当地问他的理疗师:“你知道，在那个科室我能做什么?”(Morgan, 2012, 00:27:31-00:27:35)电影制作人也应该问同样的问题，以质疑他们对电影中残疾人角色的性别、身体和性取向的表现。

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Challenging Devaluation of Disability and Queerness through Cinematic Narratives

The eponymous protagonist of Michael Akers’ drama Morgan (2012) feels attracted to an able-bodied man after becoming paraplegic following a cycling accident. As Morgan doubts that he willbe able to ever have sex again, he asks his physiotherapist quite bluntly: “What can I, you know, doin that department?” (Morgan, 2012, 00:27:31-00:27:35). The same question should be asked byfilmmakers in order to question their representations of gender, bodies, and the sexualities ofdisabled characters in films.

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Including Disability

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