互动中的影像与本体感觉

Q4 Arts and Humanities
Raivo Kelomees
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引用次数: 0

摘要

图像在互动和生物感知艺术作品中的作用又回到了万物有灵论。在这种理解中,物体和存在的图像与物理物体和存在联系在一起。在互动艺术作品中,我们遇到了将图像和物体连接在一起的尝试,图像变得有生命。我的观点是,在这些艺术品中,理性主义的图像-对象甚至观众-艺术品的区别被抹去了,而且:观众变成了图像,艺术品。我们可以跟随多媒体、通讯艺术、互动艺术和生物反馈艺术的实验,看到观看者和图像之间的鸿沟逐渐消失。这是艺术史上的一种典型的新情况,观众和艺术品之间没有区别。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Image in Interaction and Proprioception
The image role in interactive and biosensorial artwork leads back to the term of animism. In that understanding, images of objects and beings are connected with physical objects and beings. We encounter attempts of animistic connection of images and objects in interactive artworks, images become alive. My argument is that in these artworks the rationalistic image-object and even viewer-artwork distinction is erased, moreover: the viewer becomes an image, the artwork. We can follow experiments in multimedia, telecommunication art, interactive art, and biofeedback art and see a gradual disappearance of the breach between the viewer and the image. This is a paradigmatically a new situation in art history where there is no distinction between viewer and the artwork.
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来源期刊
Acta Academiae Artium Vilnensis
Acta Academiae Artium Vilnensis Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.10
自引率
0.00%
发文量
10
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