安布尔·麦克布莱德《消失的狼》(书评)

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引用次数: 0

摘要

凯特奎利-盖纳,编辑麦克布莱德,琥珀消失的狼。费维尔,2023年[352p]贸易版。书刊编号:ISBN 9781250850485 $10.99电子书版。公元4-6年,南方各州从美国分离出来,组成了由图巴总统主持的“圣经靴”。那里的白皮肤克隆人统治和奴役蓝人,将他们隔离和监禁,直到他们被认为适合为克隆人服务或在采石场工作,开采延长克隆人生命的物质。11号囚犯在一次小小的反叛行动中自称为伊莫金,她被选为图巴总统选定的儿子和继任者拉金的助手。她被牢房外的世界吓坏了,在那里,布鲁斯在艰苦的条件下工作,如果有任何抵抗就会被杀死,所以当狱友告诉她一条逃跑路线时,她敢走。然后,这本书切换到2022年,伊莫金和她的治疗师分享了“囚犯11号”的故事,并在COVID-19隔离的创伤中挣扎,对美国黑人暴力的新闻冲击,以及她自己失去的兄弟拉克和金。虽然12岁的伊莫金是本书前半部分作者的前提可以原谅它缺乏微妙之处,但解释性、强迫性对话和次要人物解释使这两部分感觉更像是威吓而不是引人注目,给读者留下的机构或解释很少。伊莫金提供了真实的、真实的连接点,就像卡伦德的《月花中的月亮》(BCCB 07/22),她的脆弱、恐惧和悲伤将完全与那些刚刚经历了足够多的困难,可能会觉得自己身处反乌托邦的孩子们联系在一起。[End Page 64]版权所有©2023伊利诺伊大学董事会
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Gone Wolf by Amber McBride (review)
Reviewed by: Gone Wolf by Amber McBride Kate Quealy-Gainer, Editor McBride, Amber Gone Wolf. Feiwel, 2023 [352p] Trade ed. ISBN 9781250850492 $17.99 E-book ed. ISBN 9781250850485 $10.99 Reviewed from digital galleys Ad Gr. 4-6 In 2111, southern states have seceded from the United States to form the Bible Boot, presided over by President Tuba. The pale-skinned Clones there dominate and enslave Blue people, keeping them isolated and imprisoned until they are deemed fit to serve the Clones or work in the quarry, mining the material that extends Clones' lives. Inmate Eleven, who has dubbed herself Imogen in a small act of rebellion, is selected to serve Larkin, President Tuba's chosen son and successor. She's horrified by the world outside her cell, where Blues work in backbreaking conditions and are killed for any resistance, so when a fellow inmate informs her of an escape route, she dares to take it. The book then shifts to 2022, where Imogen is sharing with her therapist the story of Inmate Eleven and struggling with the trauma of the COVID-19 quarantine, the onslaught of news about violence against Black Americans, and her own loss of her brothers, Lark and Kin. While the premise that twelve-year-old Imogen authored the first half of the book can forgive its lack of subtlety, the expository, forced dialogue and secondary character explanations make both sections feel more browbeating than compelling, leaving little agency or interpretation to the reader. It's Imogen who offers the true, authentic point of connection, much like Callender's Moon in Moonflower (BCCB 07/22), and her vulnerability, horror, and grief will feel entirely relatable to kids who have just endured enough hardship to perhaps feel like they are in their own dystopia. [End Page 64] Copyright © 2023 The Board of Trustees of the University of Illinois
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