《蒙娜丽莎的消失:一位传奇画家,一场令人震惊的抢劫,以及一位全球名人的诞生》作者:尼古拉斯·戴

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摘要

《蒙娜丽莎消失:一位传奇画家,一次令人震惊的抢劫,一位全球名人的诞生》作者:尼古拉斯·戴凯特·奎利-盖纳编辑:尼古拉斯·戴《蒙娜丽莎消失:一位传奇画家,一次令人震惊的抢劫,一位全球名人的诞生》;插图。布雷特·赫尔奎斯特著。也许很难想象,在它生命的大部分时间里,《蒙娜丽莎》只是卢浮宫里的另一幅画,只有艺术家和狂热的艺术爱好者才会觉得它没什么特别和有趣的。直到1911年8月21日被盗后,这幅画才声名狼藉,成为“艺术史上最大的盗窃案”,并为公众所痴迷。每个人都有一个理论:这是一个痴迷的仰慕者吗?内奸?一个聪明的策划者?事实可能会变得相当平庸,但调查本身是一个处于变化尖端的世界的体现,因为法医科学、媒体猜测和不断变化的艺术世界遇到了守旧的偏见、上升的民族主义和错误的怀疑。戴带领读者经历了《蒙娜丽莎》被盗和创作的过程,在世纪之交的巴黎和意大利文艺复兴之间穿梭,在那里他介绍了列奥纳多·达·芬奇和据称是《蒙娜丽莎》模特的丽莎·盖拉尔迪尼。直接称呼的俏皮散文迷人地将读者带入一个故事,其中详细描述了从15世纪佛罗伦萨沉闷的性别角色到极其无能的警察调查,再到相当虚伪、一点也不令人钦佩的巴勃罗·毕加索(Pablo Picasso)的一切。赫尔奎斯特的黑白小插图与文本的轻松基调相匹配,在一起平衡了一种轻松的冒险感,以及关于抢劫和绘画最终恢复的大量信息。这里没有艺术史要求;读者只需要喜欢一个好故事就可以享受这一点历史的乐趣。版权所有©2023伊利诺伊大学董事会
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Mona Lisa Vanishes: A Legendary Painter, A Shocking Heist, and the Birth of a Global Celebrity by Nicholas Day (review)
Reviewed by: The Mona Lisa Vanishes: A Legendary Painter, A Shocking Heist, and the Birth of a Global Celebrity by Nicholas Day Kate Quealy-Gainer, Editor Day, Nicholas The Mona Lisa Vanishes: A Legendary Painter, A Shocking Heist, and the Birth of a Global Celebrity; illus. by Brett Helquist. Random House Studio, 2023 [288p] Trade ed. ISBN 9780593643846 $19.99 E-book ed. ISBN 9780593643860 $11.99 Reviewed from digital galleys R Gr. 5-10 It's perhaps unthinkable that for much of its life, the Mona Lisa was simply another painting in the Louvre, nothing particularly special and interesting only to artists and avid art lovers. It was only after its theft on August 21, 1911, that it became notorious, the subject of "the greatest heist in art history" and an obsession of the general public. Everyone had a theory: was it a besotted admirer? An inside job? A brilliant mastermind? The truth would turn out to be rather banal, but the investigation itself was the embodiment of a world on the cusp of change, as forensic science, media speculation, and a changing art world met old guard prejudice, rising nationalism, and misplaced suspicion. Day walks readers through both the theft and the creation of the Mona Lisa, bouncing between turn-of-the-century Paris and the Italian Renaissance, where he introduces Leonardo da Vinci and the purported model of the Mona Lisa, Lisa Gherardini. The playful prose in direct address charmingly invites readers into a story that details everything from the stuffy gender roles of fifteenth-century Florence to a wildly inept police investigation to a rather deceitful and not at all admirable Pablo Picasso. Helquist's black-and-white vignettes match the text's breezy tone, together balancing a sense of light-hearted adventure with a hefty amount of information about the heist and the painting's eventual recovery. No art history requirement here; readers simply need to love a good story to enjoy this bit of historical fun. Copyright © 2023 The Board of Trustees of the University of Illinois
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