A Multimodal Approach to Zhuang-English Translation of the Baeu Rodo Scriptures

The Beu Rodo scriptures are texts sung by boumo, a Zhuang ritual priest at rites. They reflect the primitive belief of the ancient forebears of the Zhuang group in China. As a scriptural heritage of the Zhuang minority nationality, the scriptures have become a significant cultural carrier in the English world through translations. Based on the published English translations, this paper analyzes the combined use of verbal and visual modes in translating the Baeu Rodo scriptures into English. David Holm’s Recalling Lost Souls is under examination as a case study. Theories of multimodal discourse analysis and intersemiotic translation give guidance for examination and discussion. First, the authors bring under examination how verbal and visual modes interacted to produce Recalling Lost Souls, an example of multimodal translation; then they move on to discuss how the translator managed to realize the representational, interactive, and compositional meanings in a multimodal whole. It is concluded that linguistic and non-linguistic modes can work together to produce a multimodal translation, a workable approach to Z-E translation of the Baeu Rodo scriptures leading to higher readability of their translated works in the English world.