论新王国时期埃及女王的神化特征

Q3 Arts and Humanities
Vladimir A. Bolshakov
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引用次数: 0

摘要

本文从埃及图像和文字证据的官方描述出发,分析了新王国女王的神化特征。为了揭示女王神化的本质及其整体神学角色的本质,本文探讨了女王与女神同化的具体方法和特点。(首先是哈索尔、伊西斯、玛特、穆特、涅赫贝特女神)或太阳眼女神(哈索尔/特夫纳特)。作者所说的“神化”是指赋予女王女神的特征,并区分了这一现象的两个方面:对在世女王的神化和对死去女王的神化。目前研究的重点只是在世女王的神化。作者将他们与女神同化的趋势与王权意识形态的演变和统治国王形象的所谓“日化”密切相关,这种趋势在阿蒙霍特普三世和拉美西斯二世时期达到了顶峰(值得专门研究的阿肯那顿统治时期被故意省略)。这种趋势的大部分证据是由图片来源提供的,特别是女王的个人肖像。对来源选择的研究可以得出一个基本结论,即女王和埃及万神殿的主要女神之间无疑存在各种语义上的相似之处。然而,女王与女神的同化,除了一些例外,并没有达到与后者完全认同的程度,这些相似之处本身主要是通过图像学的手段绘制的,而不是赞美的措辞。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
About the character of deification of the Egyptian Queens of the New Kingdom
The article analyzes the character of deification of Queens of the New Kingdom on the basis of their official representation in Egyptian pictorial and textual evidence. In order to reveal the nature of the deification of Queens and the essence of their theological role as a whole, the article discusses specific methods and features of assimilation of Queens with the goddesses. (first of all, goddesses Hathor, Isis, Maat, Mut, Nekhbet) or goddess of the solar-Eye (Hathor/Tefnut). By “deification” the author means endowing a Queen with the features of a goddess, and two aspects of this phenomenon are distinguished: the deification of living and dead Queens. The focus of the present study is only the deification of living Queens. The author puts the trend to assimilate them with goddesses in close relationship with the evolution of the ideology of royal power and the so-called “solarization” of the image of the ruling king, which reached its maximal expression under Amenhotep III and Ramses II (the period of Akhenaten’s reign which deserves a special study was deliberately omitted). The bulk of the evidence for this trend is provided by pictorial sources, and in particular, the individual iconography of Queens. The study of the selection of sources allows drawing a fundamental conclusion that there were undoubtedly various semantic parallels between the Queens and the principal goddesses of the Egyptian pantheon. Nevertheless, the assimilation of Queens with the goddesses, with some exceptions, did not reach a level of complete identification with the latter, and these parallels themselves were drawn mainly means of iconography, and not laudatory phraseology.
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来源期刊
Vostok (Oriens)
Vostok (Oriens) Arts and Humanities-History
CiteScore
0.30
自引率
0.00%
发文量
25
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